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Model:
PPM1012
12-Channel, 1600W, Ultra-Light Professional Powered Mixers
Ultra-light and rack-mountable, the Mackie
PPM1012 professional powered desktop mixer features two ridiculously robust
power amps for mains and/or monitors (800W + 800W). With 1600 watts of system
power, this mixer provides all the raw power that you need. Things can get
pretty intense out there, and your gear needs to be able keep up the pace. We
custom designed the PPM1012 with Class-D amps, which are cool-running and boast
maximum efficiency, keeping your sound pumping until they start kicking people
out. We had to include Mackie’s proven Fast Recovery circuitry, eliminating the
risk of pesky amp latching. The result is a distortion free mix even when
pushing peak levels. The built-in limiter can go toe-to-toe with the most
popular outboard stereo limiters used in live sound today, protecting your
speakers from damage. The limiter’s attack and release times are specifically
selected to address full-bandwidth music and will not muddy things up by adding
any unwanted pumping. PPM mixers are surprisingly lightweight, but tremendously
powerful. You can push the PPM1012 to its maximum output, distortion free!
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The Right
Tools For The Job
Most powered mixers out there have either a limited set
of mixing tools—keeping your mix decidedly average—or
they cram in a mind-boggling amount of lame effects that
you would never use. Every professional carries the
right tools for the job, so the PPM1012 comes with a
great-sounding, highly useable toolkit:
- Premium Mackie preamplifiers ensure transparent, low-noise/high-headroom
characteristics right at the front of the mixer. The
PPM608 offers 8 mic/line channels with trusted Mackie
preamplifiers.
- True 48V phantom power allows every condenser mic to perform at its full
potential.
- Legendary 3-band active EQ straight off the tremendously popular VLZ3
mixer series. Sweetening any channel is a breeze.
- Individual channel inserts (ch. 1-6) allow compressors and other
outboard processing on critical instrument or voice
channels. Don’t leave the lead singer hanging!
- Dedicated in-line compressors on channels 1-4 bring simple but sweet
dynamics to our PPM mixers.
- Dual graphic EQs are provided for use with mains and monitors. These EQs
feature tight, constant-Q Filters that effect only the
frequency range you’ve intended, unlike many inexpensive
built-in graphic EQs that will remain nameless.
- Simple stuff like useable main and monitor output metering make a huge
difference in your mix. Sorry, but 5 LED meters at the
output doesn’t tell you that you’re about to clip. Our
high-resolution 12-segment meters enable more visibility
of your signal, and the super quick response of the
meters allows what you see to translate quickly and
easily to what you hear.
“Gig Ready”
Effects
Dual (as in 2) all-new RMFX+ (Running Man FX) effects
processors bring “gig-ready,” useable effects to your
mixes. Why scroll through hundreds of bizarre effects,
like “ghost ambience?” Yeah, like anyone even knows what
that means. Or how about winners like “delay+phaser2,”
which you’ll never use in a million years. Those other
mixers will leave your fingers raw from all the
scrolling you have to do. The RMFX+ processor features
24 solid FX that are known for their utility and
usability. Small, medium and large room reverbs with the
choice of a warm or bright characteristic put your mix
in the right space. Simple, rich choruses and an array
of practical delays with common amounts of repeats
enable you to create professional mixes without
requiring a two-hour sound check. Also, the RMFX+ is the
first onboard processor to feature a user tap function.
So if you want to use a delay, but our preset delay time
doesn’t work, you can tap it in instantly! Basically,
we’ve delivered a full rack of gear at your fingertips
that is easy to master, allowing you to look and sound
really good at your next gig. Really, really good.
Absolutely
Armored
Armored and ready for action, the PPM1012 is encased in
solid metal, protecting it from years of abuse and one
too many spilled beers (seriously, spilled beer makes us
sad). The integrated front handle allows you to easily
pick it up and get going, and it is rack-mountable for
added rigidity and security.
Matching Made Easy
Look, we want to make things
as easy for you as possible. Matching speakers to amps
can suck the fun out of an otherwise pleasant trip to
the music store. Keeping that in mind, PPM mixers and
Mackie passive speakers were made for each other. From
our popular C series (C300/200) to our S series
(S200/S400), we designed our mixer to match the power
requirements of our passive speakers perfectly. Try
driving a pair of S225 15” speakers off someone else’s
mixer. You can almost smell the smoke now! Yet this is
child’s play using a PPM and a pair of our S225’s. We
easily provide enough power for a complete system. In
fact, we’ve got the bollocks to drive two of our S215
15” 2-way speakers off the mains AND a pair of C300s as
monitors without needing outboard amps. Others may try
but, ultimately, don’t provide the necessary power.
So if you want a truly professional set of tools for
your next gig, including a Mackie mixer, onboard
compressors, Fast Recovery amplification, twin graphic
EQs, and “gig-ready” effects, pair up a PPM1012 and any
Mackie Precision Passive loudspeakers for the ultimate,
portable, professional P.A. system.
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Full-featured 12-Channel, 1600W Powered Desktop
Mixer with 4-segment LEDs and solo PFL on every
channel
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800W +
800W Mackie designed Class-D, Fast Recovery™ power
amplifiers
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32-bit
dual RMFX+™ processor featuring 24 “Gig Ready”,
useable reverbs, choruses, and tap delay for live
applications
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8 mic/line
mono inputs and 2 stereo line inputs for flexible
connectivity
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Mackie
high-headroom, low-noise mic preamps with RF
rejection for pristine signal
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New
Dedicated In-line Compression provides increased
presence and punch for vocals and instruments
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Mackie’s
3-Band Active channel EQ with a Mid sweep
(100Hz-8kHz) on mono channels & 4-band active EQ on
stereo line channels 7 & 8
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2
built-in DI boxes for direct instrument connections
on channels 7 & 8
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4 Aux
sends—2 FX & 2 Mon
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Dual
9-Band graphic EQ on the Mains and Monitor outputs
for tuning rooms and monitor mixes
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Mono
output with level control & low pass filter
selectable from 75Hz-100Hz
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3-Mode
Amplifier for ultra-flexible routing, switchable as
Mains Stereo L/R, Mono Mains/Monitor 1, or Mon 1 &
Mon 2
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Precision Passive EQ for enhanced clarity and LF
response with Mackie passive loudspeakers
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48v
Phantom power available for all mic inputs
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Headphone output with level control
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12v BNC
lamp Jack
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Built-like-a-tank metal chassis with a handle built
into the front of the mixer for easy transport
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Rack
ears included
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Lightweight and portable (29lbs/ 13kg)
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General Specifications |
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Frequency Response: |
Mic Mono Input(+0 / -3 dB):
<10 Hz to 100 kHz
Line Mono Input(+0 / -3 dB): <10
Hz to 32 kHz
Line Stereo Inputs(+0 / -3 dB):
<10 Hz to 80 kHz |
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Total Harmonic Distortion (THD+N): |
(1 kHz, 30 kHz bandwidth)
Mic mono: <0.003%
Line mono: <0.005%
Line Stereo: <0.003% at main out |
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Noise Characteristics: |
Equivalent Input Noise (EIN)
Mic Input, 20 Hz to 20 kHz, 150Ω Source Impedance: -128 dBu
(1 kHz, 30 kHz bandwidth)
Main mix level down, all channel levels down:
-95 dBu
Main mix level 0 dB, all channel levels down:
-89 dBu
Main mix level 0 dB, all channel level 0 dB:
-84 dBu
Gain
Mic mono input: 0 dB to +50 dB
Line Mono inputs:-20 dB to +30dB
Line Stereo Inputs: -20 dB to +20
dB |
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Maximum Levels: |
Mic mono input: +21 dBu
minimum gain
Line mono inputs: +21 dBu
Line Stereo iutputs: +21 dBu |
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Impedance: |
Mic Mono Input: 3.6 kΩ
balanced
Line mono input: 20 kΩ balanced
Line mono input, Ch 5, 6 Hi-Z: 500
kΩ unbalanced
Line Stereo Inputs: 20 kΩ balanced
Main and monitor preamp outputs:
240 Ω balanced/ 120Ω unbalanced |
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Physical Dimensions and Weight: |
Height: 5.2 in / 133 mm
Depth: 19.2 in / 487 mm
Width: 17.4 in / 442 mm
Net Weight: 29.0 lb / 13.2 kg |
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AC Power Requirements: |
US:
100 - 120 VAC, 50 - 60 Hz, 160W
EU:
200 - 240 VAC, 50 - 60 Hz, 160W
AC
Connector: 3-pin IEC 250 VAC
Operating Temperature: 0° - 40°C, 32° -
104°F |
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Equalization: |
High Shelving (all channels): ± 15 dB @ 12 kHz
Mid Mono Channels
Mid Peaking, sweepable: ± 15 dB
Mid sweep range: 100 Hz to 8 kHz
Mid Stereo Channels
Hi Mid Peaking: ± 15 dB @ 2.5 kHz
Lo Mid Peaking: ± 15 dB @ 400 kHz
Low Shelving(all channels): ± 15 dB @ 80 Hz
9-Band Graphic EQ Main and Monitor 1:
± 15 dB @ 63, 125, 250, 500, 1k, 2k, 4k, 8k and 16 kHz |
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Loudspeaker Output: |
(Both Channels loaded and driven at 1 kHz)
Peak output power @ 4 Ω: 2 x 800 W peak
RMS output power @ 4 Ω: 2 x
400 W rms, 1% THD/ 2 x 500 W rms, 3% THD
RMS output power @ 8 Ω: 2 x
250 W rms, 1% THD/ 2 x 300W rms, 3% THD
Recommended load impedance: 4 - 8
Ω per channel |
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Digital Effects: |
Processor:
32-bit
I/O: Mono
Input/Stereo Input
Number of Presets: 24 |

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