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Model:
C300z
12" Two-Way Passive Loudspeaker
Are you looking for renowned Mackie sound quality
in a portable, lightweight package but you've already invested beaucoups cash on
pro-level power amps? Want to instantly upgrade the sound of your existing
powered mixer or amplifier without breaking the bank?
Good news for you, because our C300z 2-Way Portable Passive Loudspeakers put the
superior clarity, wide dispersion, and legendary ergonomics of the SRM Series
within reach of any serious musician, DJ, or small club. These compact-yet-loud
speakers can be pole-mounted for use as a small full-range PA system, combined
with subwoofers as needed, and even employed as high-quality passive floor
monitors.
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PRECISION
TUNED BY THE SPEAKER BRAINS AT EAW
The new C Series passive Loudspeakers represent Mackie's
first lightweight passive speakers tuned exclusively by
the EAW loudspeaker engineering team. We're talking
about the same team with more than 25 years of
high-output loudspeaker expertise, having created
loudspeaker systems for critical applications as diverse
as the Super Bowl, Iron Maiden, and the Pope. And
although loudspeakers for these mega-systems cost
exponentially more than the stalwart C300z, many of the
same concepts applied, namely: designing custom 12" LF
drivers with a frequency range from 50 Hz - 3000 Hz and
a 3" voice coil that can take a pounding. And a 1.75"
High-Frequency titanium Driver and Horn providing a
wide, controlled dispersion pattern and precise
reproduction of the critical 1000 Hz - 20,000 Hz upper
mid-range and high frequencies.
CROSSOVERS TUNED TO PERFECTION
Tuning a crossover (i.e. voicing a system), involves
dozens of critical decisions that many manufacturers
overlook. In the end, it is all about balancing the
design so that you get the best subjective results from
the speaker while maintaining a good technical
implementation. The crossover in the C Series is a
unique Low Impedance Compensated Crossover (LICC) design
with an asymmetrical slope. With EQ and crossover points
meticulously chosen so that beamwidth patterns match in
both drivers, C Series loudspeakers offer natural sound
at all volume levels.
ULTRA-WIDE DISPERSION
Ever been to a show where the music sounds great in
front, but craps out once you get to the back or sides
of the room? We have, and that's why we gave the C300z a
multi-cell horn throat aperture. Sure, it's hard to say,
but what it does is allow for much wider and more even
dispersion of high and mid frequencies—so the
wallflowers get the same great listening experience as
those up front.
BETTER
THAN YOUR AVERAGE BOX
Anyone with a factory
can build a box and stick some speakers in it (and
that's just what many do). But low-frequency transducers
in square boxes can create resonances that reflect off
the rear wall and pass through the woofer cone out of
phase, and ready to mess up your sound. The C300z
enclosure is an asymmetrical monocoque design with no
parallel surfaces, causing mid and high frequency
resonance's to be reflected at angles into internal
damping materials, instead of interfering with the
woofer doing its thing. Read more.
SUPERB
FLOOR MONITOR
A good floor monitor plays loudly without generating
feedback through vocal microphones. A poor floor
monitor, on the other hand, will generate feedback just
about the time you turn it up to a useable level. Floor
monitor feedback is often caused by uneven frequency
response and dispersion; some frequencies arrive at the
microphone much louder than others. These "spikes" are
what trigger feedback as the floor monitor volume is
increased. The C300z has incredibly smooth, spike-free
response and dispersion over a wide range of treble
frequencies. So you can increase its volume without
boosting those nasty, feedback-inducing spikes. Without
extensive tuning, no passive speaker or specialized
floor wedge in this class can even come close.
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Portable
Precision Passive loudspeaker with 1.75" HF
compression driver and 12" LF transducer
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HF
compression driver mounted on a multi-celled
aperture, with a constant directivity horn for
room-wide 90° x 45° dispersion
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Precise
reproduction of critical upper mid-range and high
frequencies
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Tough,
impact-resistant enclosure with sturdy handles,
pole-mount, and integrated rigging points
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Designed
for optimum performance with Mackie powered mixers
and power amplifiers
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750W
peak power handling
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Three
setup configurations: pole mount, flyable and wedge
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Passive
version of the best-selling SRM450
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General Specifications |
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Acoustic Performance: |
Frequency Response(-3 dB):
55 Hz - 18 kHz
Frequency Response(-10 dB):
45 Hz - 20 kHz
Max SPL Long-term: 123 dB @ 1m
Low-Frequency Crossover Type: 24 dB
/ Octave, time offset corrected
High-Frequency Crossover Type: 24
dB / Octave
Crossover Point: 1800 Hz |
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Audio: |
Input Type Connector Type:
Speakon™-style NL 4-jack, 1/4" TS jack
Input Impedance: 8 Ω
Power Handling
RMS: 300 watts
Music: 550 watts
Peak: 750 watts |
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Low-Frequency Transducer: |
Diameter: 12 in / 300 mm
Voice Coil Diameter: 3 in / 75
mm
Magnet Material: Ferrite |
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High-Frequency Transducer: |
Diameter: 1.7 in / 44.5 mm
Horn Exit Diameter: 1 in / 24.5
mm
Diaphragm Material: Heat treated
titanium |
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Horn Design: |
Type: Conical and
Exponential
Mouth Size: 12 in / 305 mm (W) x 7
in / 178 mm (H)
Horizontal Coverage: 90° ( 1 kHz -
20 kHz)
Vertical Coverage: 45° ( 2.8 kHz -
20 kHz ) |
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Safety Features: |
Over-Excursion Protection:
Second-order high-pass filter
Driver Protection: Dynamic
protection for compression driver |
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Construction Features: |
Basic Design: Asymmetrical
Trapezoidal
Material: Polypropylene
Finish: Black, textured finish
Handles: One on right side, one on
top
Grille: Perforated metal with
weather-resistant coating
Operating Temperate Range: -10°C
to 45°C, 14°F to 113°F |
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Physical Properties: |
Height: 26.1 in/ 663 mm
Width: 16.0 in / 406 mm
Depth: 14.8 in / 376 mm
Weight: 46 lb / 20.9 kg |
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Mounting Methods: |
Floor mount, pole mount, or fly via
integrated M10 threaded inserts ( two each located on each side, top,
bottom and rear of enclosure) |

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