Panasonic AG-3DP1

Panasonic AG-3DP1

Integrated Twin-Lens 3D Camera Recorder

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 Panasonic AG-3DP1 Integrated Twin-lens 3D Camera Recorder

Panasonic AG-3DP1
Product code:AG3DP1
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The Integrated Twin-Lens 3D Camera Recorder Accelerates 3D Video Production
The AG-3DP1 is a P2HD Series integrated twin-lens 3D camera recorder. This high-end model takes the user-friendliness of the AG-3DA1 integrated twin-lens 3D camera recorder - which brought an innovative solution to 3D shooting and production - to an even higher level. The AG-3DP1 comes with a newly developed 17x twin-lens zoom lens system that features an expanded range for both wide-angle and telephoto to fit diverse shooting situations. The combination of high-sensitivity, high-resolution 2.2-megapixel 1/3-type 3MOS sensors and AVC-Intra codec achieves high-quality 3D HD recording with 1920 x 1080 full-pixel resolution and 10 bit 4:2:2 full sampling. Supporting multi-camera synchronization and Panasonic's Camera Studio System, as well as a variable frame rate (VFR) function*, the AG-3DP1 meets highly sophisticated needs. Operation is easier, too, with new 3D Assist functions that add reliability and convenience to Z-axis setting (for 3D leaping effects and depth). From sports event broadcasting to movie production, the AG-3DP1 efficiently serves as a main camera, to replace the conventional rig-type cameras. This integrated twin-lens camera recorder is highly mobile and easy to handle.
Integrated twin-lens 3D camera recorder:
Eliminates the installation, wiring and adjustment that are required for rig-type 3D cameras. Places no restrictions on the installation location or camera angle, providing 3D shooting with the same easy operation and mobility as conventional 2D camera recorders.

New 3D Assist functions:
Three display modes ensure reliable and convenient 3D shooting - a Z-axis waveform display (see bottom photo), warning displays for negative or positive parallax and a convergence plane display.

Multi-camera versatility:
Genlock input and TC input/output terminals allow multi-camera synchronization. Panasonic'sCamera Studio System is also supported for live relays and other broadcast applications.

Panasonic AG-3DP1

Newly Developed Twin-Lens System with Powerful 17x Zooming
The HD twin-lens system was developed exclusively for the AG-3DP1. Its wide-angle and 17x telephoto settings meet a host of applications in sports, TV series, and movie production. Because the HD twin-lens system is assembled with high precision, it requires no pre-shooting adjustment of the optical axis or angle of view. Focus, zoom and iris adjustments are synchronized accurately for the left and right lenses. The AG-3DP1 also supports remote control (focus, zoom, iris, convergence, and recording start/stop). It also boasts low chroma aberration and high resolution, and delivers superb color reproduction, detailed nuances and crisp 3D images even in dark scenes − with minimal flare and ghosting.

Zoom, Focus, Iris and Convergence
In addition to a zoom ring,  focus ring and iris ring that approach the manual control levels of interchangeable lenses, the AG-3DP1 has an isolated convergence dial.
By changing the convergence angle of the twin lenses inside the optical unit, the convergence point (the reference plane for 3D images) can be adjusted forward or backward to control leaping effects and depth.

Panasonic AG-3DP1

3D Mode Selection for Maximum Zooming Effect: Near/Normal/Extra
Three modes maximize the twin-lens zooming capability. Setting the selector switch to Near, Normal or Extra optimizes the lens convergence angle range for each shooting distance. This quick and easy setting gives you effective 3D shooting over diverse angles of view.

3D Mode Selection
3D Mode Convergence Point Adjustment Range* Zoom Power
NEAR  Approx. 1.1 m to 3.4 m Max. approx. 7x
NORMAL Approx. 1.7 m to ∞ Max. approx. 7x
EXTRA Approx. 1.7 m to ∞ Max. approx. 17x

*These ranges are approximate distances from the front of the camera to the subject.

New 3D Assist Functions for Reliable and Convenient 3D Shooting

3D Assist Display Functions
Various information can be displayed on the LCD monitor and viewfinder to make 3D shooting more reliable and convenient.

Overlay Warning Displays
• ALERT: A red block is overlaid on areas of the image that show negative parallax, and a yellow block is overlaid on areas that show positive parallax. (Safe ranges can be selected from a menu.)
• CONV. (Reference Plane Display): A green edge is displayed around areas that are within the reference plane (convergence plane).

Z-WFM (Waveform) Display
This function displays the forward/backward relationship between the subject and the convergence plane as a waveform. It provides a general view of the positioning for the overall composition. The display range can be selected in two levels from the menu. Waveforms for parts with excessive leaping effects or excessive depth can also be displayed with warning colors.

Left/Right/Mix/Side By Side Monitor Image Selection
The image displayed on the LCD monitor or viewfinder can be selected from among left lens (with no mode display), right lens (R-IMAGE), left/right mix (MIX) and Side By Side (SIDE) modes.

High-Sensitivity, High-Quality, Dual 3MOS U.L.T. Image Sensors
Two pairs of 2.2-megapixel 1/3-type 3MOS sensors are mounted left and right. Each one employs full-pixel HD resolution to produce precisely synchronized FULL-HD 3D images. Ultra Luminance Technology (U.L.T.) enables these image sensors to attain high sensitivity, high-quality images.

20 bit DSP
The AG-3DP1 incorporates a high-performance 20 bit Digital Signal Processor that handles image rendering processes such as gamma and various detail enhancement functions with exceptional precision.

Panasonic AG-3DP1

6-Mode Gamma for Richer Gradation
Drawing on technologies developed for the VariCam, Panasonic has equipped the AG-3DP1 with advanced gamma functions that address six different shooting scenarios, including two Cine-Like Gammas.

Panasonic AG 3DP1
                  Image with HD NORM MODE                                         Image with CINE-LIKE GAMMA
AG-3DP1 Gamma Modes
HD NORM: Suitable for HD recording
LOW: Works to flatten out a high contrast scene
HIGH: Expands the tone of dark parts and makes a brighter image the contrast softens
B.PRESS: Makes the contrast sharper than LOW
CINE-LIKE D: The Cine-Like mode shifted to prioritize dynamic range
CINE-LIKE V: The Cine-Like mode shifted to prioritize contrast


Shooting Assist Functions Instantly Respond to Shooting Situations
Focus Assist Functions

Press the Focus Assist button and the center section of the screen expands in size, making it easier to determine if the focus is correct. Also, the Focus Bar that visually indicates the focus level can be displayed on the screen. *The photo is simulated.

3-Position Gain Selector
There is a 3-position gain selector, with L, M and H settings. To each setting you can assign a gain value from 0, +3, +6, +9 and +12 dB.

User Buttons
Three user buttons can each be allocated with one of the following functions for one-touch operation: PUSH AF, Y-GET, SHOT MARK, REC CHECK, R.CONV, 3D A.Z WFM, 3D A.ALERT, or 3D A.CONV.

Simplified Waveform and Vectorscope Display
The AG-3DP1 has Waveform and Vectorscope Display functions for the captured video signal on the LCD monitor.
Panasonic AG-3DP1   Panasonic AG-3DP1
                             Waveform                                                     Vectorscope

Scene File/User File
You can set the Scene File for setting of shooting conditions. Six files are provided, and you can change any of the six file names and their settings as desired. One set can be stored internally in the AG-3DP1, and four sets on an SD Memory Card. One User file with camera setting values can also be stored internally, and four files on an SD Memory Card.

Other Camera Functions
• 4-position (off, 1/4 ND, 1/16 ND, 1/64 ND) optical neutral density filter wheel.
• Slow, Synchro and High Speed Shutter.
• Matrix setting including a Cine-Like mode.
• Adjustable V detail level, detail coring.
• Chroma level, chroma phase, color temp and master pedestal.
• Knee point settings: Low, Mid and High.
• Three values (A/B/Preset) of white balance selector.
• Mode check: Displays a list of the camera settings.
• Zebra: Select any two levels from among 50% to 109%, in 1% step.
• Y-GET: Measures brightness at the screen center and displays precise numerical data.

Highly Reliable, Easy-to-Use P2 card Enables Double-Slot Image Acquisition and 2D Recording
3D/2D Acquisition onto Double P2 Card Slots

Two P2 card slots allow 3D/2D image acquisition.
• 3D recording mode: Left and right channel images with full-pixel HD, full-sampling quality are each synchronized and recorded onto two P2 cards.
• 2D recording mode: 2D LL left-eye images are recorded simultaneously onto both left and right P2 cards. This expands the double-slot application possibilities for recording images without left-eye/right-eye visual disparity, and for backup use.

P2 Card Recording Offers High Reliability
and a Proven Record for Broadcasting The P2 card was originally developed for broadcast use. In addition to its large 64 GB* capacity, it strongly resists impacts, vibration and temperature changes, and withstands repeated recording and initialization cycles for extended recording use. The card connector section is designed specifically for professional use, resulting in extremely high durability for insertion and removal. The P2 card and P2HD Series are widely used in broadcast and movie production industries and have a proven track record for reliability, durability and easy operation.

Versatile MXF File-Based Recording
File-based recording onto memory cards enables high-speed starts, recording starts with no need for cueing, and protection against accidental data overwriting. The recorded data is organized into MXF files. The files can be transferred to a nonlinear editor or over a network without the need for digitizing.*

Support for Slow-/Quick-Motion Recording
Variable Frame Rate in 720p Mode

The Variable Frame Rate (VFR) function was inherited from the Panasonic VariCam, which is widely used for producing movies, TV series, and TV commercials. It creates a wide range of film-camera like 3D images, such as overcranking for slow-motion and undercranking for quick-motion effects.

• Normal cinematic shooting (at 24 fps, 25 fps or 30 fps)
refers to the same rate as used in film cameras. The AG-3DP1 can record in 24 fps. Note that 25 fps and 30 fps are the standard frame rates used in the production of TV commercials, music clips and video media.

• Overcranking (higher-speed shooting)
produces a slow-motion effect. This is especially effective for action scenes like car chases or crashes, or to create a dramatic impact in a scene. For example, when a scene is shot at 48 fps and played at 24 fps, a slow-motion effect of 1/2x is attained.
Panasonic AG-3DP1

• Undercranking (lower-speed shooting)
gives you a quick-motion effect. This technique can be combined with a warp-speed effect to give special emphasis to flowing water, fast-moving clouds, etc. For example, when a scene is shot at 12 fps and played at 24 fps, a quick-motion effect of 2x is attained.
Panasonic AG-3DP1
Multi-Camera Versatility and Other System Functions for Broadcast Use
GENLOCK IN and TC IN/OUT Terminals Support Multi-Camera Shooting

Genlock and time code (TC) input terminals let you synchronize multiple cameras for both editing use and live-relay shooting. An SMPTE time code generator/reader is built-in. TC IN/OUT terminals allow isolated camera-through connection. The genlock input terminal also makes it possible to externally lock the time code.

Supports Camera Extension System
The existing AG-CA300G/BS300/EC4G Camera Studio System for P2HD camera recorders is also supported, making it quick and easy
to build a system for a 3D live relay and 3D image acquisition system using multiple cameras. Two BNC cables allow the transmission of high-quality HD digital images, return images, tally signals, mic signals, and genlock signals over a cable length of 100 meters (328 feet) maximum. A special cable can be used to supply power to the camera.
* For 3D image transmission, AG-3DP1 needs to be connected separately with dual HD SDI cables.

Panasonic AG-3DP1

Remote Control-Ready
The AG-EC4G Extension Remote Control Unit or AJ-RC10G Remote Control Unit* offer both studio use and direct connection to the AG-3DP1. They let you adjust camera images right from where you are, and even control convergence.
Panasonic AG-3DP1

3D-Compatible Camera Remote Terminal
A remote terminal (super mini-jack) on the AG-3DP1 also supports remote control of focus, zoom, iris, convergence, and recording start/stop. The AG-3DA1's remote control can be used.

HD SDI Simultaneous Output with Sync-Rec Function
HD SDI Left/Right terminals on the AG-3DP1 allow camera-through or playback of left-channel/right-channel FULL HD 3D image outputs (simultaneous). This enables 3D images to be monitored on a BT-3DL2550 3D Video Monitor. When an external recorder is connected, line recording of camera-through FULL HD 3D video signals is also possible.

HDMI 3D Output
The AG-3DP1 features an HDMI output terminal that outputs FULL HD 3D video signals for viewing on a 3D video monitor. This terminal outputs camera-through signals or left-channel/right-channel FULL HD 3D playback signals.
*HDMI output and HD SDI output cannot be used simultaneously.

Panasonic AG-3DP1

Optional Color and Black-and-White Viewfinders
The optional AJ-CVF100G HD Color Viewfinder employs a 25.4 mm (1 inch) 1,500,000-dot-equivalent (960 x 540 x 3 [RGB]) transmission-type LCOS (Liquid Crystal On Silicon) to achieve high resolution, high brightness and high response. It helps to reduce the possibility of white balance adjustment errors and other errors in recording. The 3D Assist functions can be checked in colors.The optional AJ-HVF21KG 50.8 mm (2 inches) Black-and-White HD Viewfinder can also be used.

Unislot Wireless Receiver Supported
An optional slot-in wireless receiver is supported, including 2-channel wireless receivers.

XLR Audio Input Terminals
An XLR 5-pin mic terminal is provided at the front, and two channels of XLR 3-pin audio input with +48V phantom power supply are provided at the rear for versatile audio recording use.

A Wide Range of Functions for Image Acquisition
• Back Tally & Rear Tally.
• Earphone terminal (mini-jack) and speaker.
• Multiple battery support, including Anton Bauer or IDX batteries.*
*The V-mount battery plate is required for IDX batteries.
Power Supply: DC 12 V (11 V to 17 V)
Power Consumption: 38 W (Camera only)
Operating Temperature: 0 °C to 40 °C (32 °F to 104 °F)
Operating Humidity: 10 % to 80 % (relative humidity)
Keeping Temperature: -20 °C to 60 °C (-4 °F to 140 °F)
Weight: Approx. 6.1 kg (13.4 lb) (camera unit only) Approx 7.9 kg (17.4 lb) (including an AJ-HVF21KG, a DIONIC battery, two P2 cards, and an AJ-MC900G microphone)
Dimensions: 235 mm × 270.5 mm × 667.5 mm (W × H × D) (camera unit only, excluding protrusions) (9-1/4 inches × 10-5/8 inches × 26-1/4 inches)
Camera Unit:
Pickup Devices: 1/3-type progressive, 2.2-megapixel, 3MOS sensor × 2
Lens: Optical 17 x, F1.6 (Wide) to F3.4 (Tele) Focal distance f 4.6 mm to 79 mm (35 mm equivalent 35.0 mm to 602 mm)
Optical Color Separation: Prism system
Distance Between the Optical Axes: Approx. 58 mm (2-5/16 inches)
Reference Plane Adjustment Range: Approx. 1.1 m (43-5/16 inches) to∞
ND Filter: 4 positions (CLEAR, 1/4ND, 1/16ND, 1/64ND)
Gain Settings: 0 dB, +3 dB, +6 dB, +9 dB, +12 dB
Shutter Speed: 60i/60p mode 1/60 (OFF), 1/100, 1/120, 1/250 sec.
30p mode 1/30 (OFF), 1/60, 1/100, 1/120, 1/250 sec.
24p mode 1/24 (OFF), 1/60, 1/100, 1/120, 1/250 sec.
50i/50p mode 1/50 (OFF), 1/60, 1/120, 1/250 sec.
25p mode 1/25 (OFF), 1/50, 1/60, 1/120, 1/250 sec.
Shutter Speed (Synchro Scan): 60i/60p mode 1/60.0 sec. to 1/249.8 sec.
30p mode 1/30.0 sec. sec. to 1/249.8 sec.
24p mode 1/24.0 sec. to 1/249.8 sec.
50i/50p mode 1/50.0 sec. to 1/250.0 sec.
25p mode 1/25.0 sec. to 1/250.0 sec.
Shutter Speed (Slow): 60i/60p mode 1/15 sec., 1/30 sec.
30p mode 1/15 sec.
24p mode 1/12 sec.
50i/50p mode 1/12.5 sec., 1/25 sec.
25p mode 1/12.5 sec.
Frame Rates: 59.94 Hz mode:
variable 12/15/18/20/21/22/24/25/26/27/28/30/32/34/36/
40/44/48/54/60 fps (frames per second)
50 Hz mode:
variable 12/15/18/20/21/22/23/24/25/26/27/28/30/32/34/37/42/45/48/50 fps (frames per second)
Memory Card Recorder Unit: 37/42/45/48/50 fps (frames per second)
Recording Media: P2 card
Recording Formats: AVC-Intra 100/AVC-Intra 50
Recording/Playback Time: AVC-Intra 100 approx. 60 min., with two 64 GB P2 cards (L/R)
AVC-Intra 50 approx. 120 min., with two 64 GB P2 cards (L/R)
*The times listed above can be continuously recorded as one clip.
The number of recorded clips will reduce the above figures somewhat.
Recorded Video Signals: 59.94 Hz mode 1080/59.94i, 1080/29.97pN, 1080/23.98pN, 720/59.94p, 720/29.97pN, 720/23.98pN
50 Hz mode 1080/50i, 1080/25pN, 720/50p, 720/25pN
Digital Video Unit:
Sampling Frequency: AVC-Intra 100: Y 74.1758 MHz, PB/PR 37.0879 MHz
AVC-Intra 50: Y 13.5 MHz, PB/PR 6.75 MHz
Quantizing: 10 bit
Video Compression: MPEG-4 AVC/H.264 Intra Profile
Digital Audio Unit:
Recording Signal: 48 kHz/16 bit, 4CH
Head Room: 20 dB/18 dB Menu selectable
Video Input/Output Unit:
GENLOCK IN: BNC × 1, 1.0 V [p-p], 75 Ω
HD SDI OUT: BNC × 2 (L/R), 0.8 V [p-p], 75 Ω
HD SDI MONITOR OUT: BNC × 1, 0.8 V [p-p], 75 Ω
HDMI OUT: A type × 1 • Simultaneous output with HD SDI OUT is not possible.
HD SDI RETURN IN: BNC × 1, 0.8V [p-p], 75 Ω
Audio Input/Output Unit:
MIC IN: XLR, 5-pin, +48 V (available)
available menu selections -40 dBu/-50 dBu
AUDIO IN: XLR × 2, 3-pin (CH1, CH2)
LINE/MIC/+48 V (selectable)
LINE: available menu selections +4 dBu/0 dBu/-3 dBu
MIC: available menu selections -50 dBu/-60 dBu
Earphone: ø.5 mm stereo mini jack × 2
WIRELESS: 25-pin, D-SUB, -40 dBu
Internal Speaker: 28 mm diameter × 1
Other Input/Output Unit:
TC IN: BNC × 1, 0.5 V [p-p] to 8 V [p-p], 10 kΩ
TC OUT: BNC × 1, low impedance, 2.0 V ± 0.5 V [p-p]
DC IN: XLR × 1, 4 pins, DC 12 V (DC 11.0 V to 17.0 V)
DC OUT: 4 pins, DC 12 V (DC 11.0 V to 17.0 V), Maximum rated current: 1.5 A
REMOTE: 10 pins
Camera Remote: ZOOM S/S: Super mini jack (2.5 mm diameter) × 1
FOCUS IRIS: Super mini jack (3.5 mm diameter) × 1
CONVERGENCE: Super mini jack (2.5 mm diameter) × 1
LCD Monitor Unit: LCD monitor: 82 mm (3.2 inch) color LCD monitor with approx. 921,000 dots (16:9)
Standard Accessories: Shoulder belt, Microphone holder, XLR Connector Cap*,
Lens Cap*, BNC Cap*, CD-ROM


 Optional Accessories

Recommended Microphone

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