The PV-GS250, with its 3CCD
Camera System, reproduces color in great fidelity by using a
separate CCD for reds, greens and blues. It's the same 3CCD
technology used in Panasonic professional broadcast equipment,
resulting in 540 lines of breathtaking resolution. You can count on
Panasonic 3CCD Digital Camcorders to give you colors that are as
rich and vibrant as your life.
World-renowned
lens-maker LEICA has developed an exquisite, multi-coated lens that
helps add a high-level of detail and subtlety to your creations.
With refinements like a 2-stage neutral density filter for aperture
independent adjustment, you'll appreciate the remarkably crisp,
true-to-life color that is a hallmark of Leica Dicomar
optics.
NVGS250
The PV-GS250
captures still images with incredible detail at up to 3.1
Megapixels. The Quad-Density Pixel Distribution Technology, a
technology used in Panasonic professional broadcast equipment,
makes it possible to capture still pictures with amazing
quality.
The Optical Image
Stabilizer helps you obtain clear, beautiful pictures by
compensating for any hand movement that occurs as you shoot video.
Gyrosensors detect the amount and direction of movement, while a
linear motor adjusts the lenses as needed to compensate. You get
clear, sharp images in situations where hand-shake is typically a
problem, like wide-angle shots or high magnification levels of the
zoom.
An optical zoom
this powerful works like a telescope to produce close-up shots with
extraordinary clarity. And with the different zoom speeds, you can
control how quick you go from a wide angle to telephoto zoom.
Through the use of digital technology, the zoom ratio on the can be
increased digitally, producing an incredibly close shot. You won't
miss a single detail!
NV-GS250
The
joystick makes the camera much easier to use, letting you control
all basic operations with one hand. As you shoot, just watch the
image in the monitor and follow the instruction guide. You can
handle a number of operations quickly and easily, without even
taking your eye off the subject.
|