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4006A Omni
Microphone
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Product Code:4006A
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Model:4006A
Reference Standard Microphones
The versatile DPA 4006A is
without doubt the most popular mic in our standard range and
has rightly earned its status as a worldwide recording
standard. Also
available:
ST4006A stereo pair
SU4006-11A Surround Kit |
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4006A Omni Microphone
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Neutrality
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Versatility
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Precision
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Recording standard
Timeless
transparency
The versatile DPA 4006A is without doubt the most
popular mic in our standard range and has rightly earned
its status as a worldwide recording standard. This
highly sought after omni has forged its enviable
reputation over the past quarter of a century by
repeatedly exhibiting its total transparency in any
recording situation, and by picking up incredible detail
and depth of sound. The definition of its high-frequency
characteristics across a wide range of instruments is
undeniably impressive for the vast majority of miking
applications.
Renaissance
microphone
With the 4006A, engineers, broadcasters and musicians
alike can achieve extremely clean, natural and precise
reproduction in a variety of applications. Ideal for A-B
stereo pairs for symphonic concert hall recordings, the
4006A also excels on vocals and for close-miking
instruments like grand piano, guitar, double bass and
percussion.
Several tools in
one
A wide selection of acoustic modification accessories,
including nose cone and interchangeable protection
grids, allows the 4006A to be acoustically transformed
into seven different microphone versions, making it the
most multifaceted mic in your collection and a
tremendous value. By simply changing a grid or mounting
an element over the capsule, it is possible to gain
several unique frequency responses and directional
characteristics from a single mic. Furthermore, these
grids and elements will not produce any phase shift,
noise or distortion that would otherwise be introduced
by an electrical filter.
Also available as
matched stereo pair and surround kit
The
ST4006A stereo pair is supplied in a specially
designed PeliTM Case, the stereo matching is free of
charge.
The
SU4006-11A Surround Kit is supplied in a specially
designed PeliTM Case, the surround matching is free of
charge. |
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General Specifications |
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Directional pattern: |
Omnidirectional |
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Principle of operation: |
Pressure |
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Cartridge Type: |
Pre-polarized condenser |
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Frequency range: |
10 Hz to 20 kHz |
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Frequency range, ± 2 dB: |
10 Hz to 20 kHz
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Sensitivity, nominal, ± 2 dB at 1 kHz: |
40 mV/Pa; -28 dB re. 1 V/Pa |
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Equivalent noise level, A-weighted: |
Typ. 15 dB(A) re. 20 µPa
(max. 17 dB(A)) |
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Equivalent noise level, ITU-R BS.468-4: |
Typ. 27 dB (max. 29 dB) |
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S/N ratio (A-weighted), re. 1 kHz at 1 Pa (94 dB SPL): |
Typ. 79 dB(A) |
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Total Harmonic Distortion (THD) at 1 kHz: |
< 1 % up to 139 dB SPL
peak |
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Minimum load impedance: |
2 kohm |
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Dynamic range: |
Typ. 124 dB |
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Switchable attenuator: |
0 dB /-20dB |
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Output impedance: |
<200 ohm |
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Cable drive capability: |
100 m (328 ft) |
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Output balance principle: |
Impedance balancing with
Active Drive |
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Common Mode Rejection Ratio (CMRR): |
> 60 dB |
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Power supply (for full specifications): |
48 V Phantom power (± 4 V) |
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Current consumption: |
2.8 mA |
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Color: |
Matte black |
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Weight: |
163 g (5.7 oz) |
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Diameter: |
16 to 19 mm (0.63 to 0.75
in) |
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Capsule diameter: |
16 mm (0.63 in) |
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Output voltage, RMS: |
> 5 V |
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Microphone Length: |
170 mm (6.7 in) |
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Polarity: |
+V at Pin 2 for positive
sound pressure |
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Connector: |
XLR-3M. Pin 1: shield, Pin
2: signal + phase, Pin 3: - phase |
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Relative Humidity (RH): |
Up to 90% |
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Temperature range: |
-40 °C to 45 °C (-40 °F to
113 °F) |
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Matching tolerance: |
± 0.5 dB |
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Phase deviation for kit: |
< 5° |

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