|
|
| |
4006C Omni
Microphone, Compact
|
| |

Product Code:4006C
 |
Model:4006C
Reference Standard Microphones
Wherever a small, lightweight,
inconspicuous microphone for top-quality recording is
required, the compact design and clean, transparent sound of
our versatile 4006C makes it the perfect choice.
Also available:
ST4006C stereo pair
|
|
| |
|
|
| |
|
|
|
|
4006C Omni Microphone, Compact
-
Neutrality
-
Versatility
-
Precision
-
Recording standard
Full-bodied sound from a small-bodied mic
Wherever a small, lightweight, inconspicuous microphone
for top-quality recording is required, the compact
design and clean, transparent sound of our versatile
4006C makes it the perfect choice. They are particularly
popular as A-B stereo pairs in concert halls where
quality recordings can sometimes be compromised by
classic architecture.
The 4006C can be mounted, hung or concealed to create
clean, transparent recordings. It is ideal in theatres,
opera and concert halls or places of worship where there
is a live audience, and for film applications, both in
the studio and on location. These mics are also popular
with musicians for close-miking instruments such as
double bass, trumpet and piano. At the same time they
are wonderful for ambience miking on soundstages, in
sports stadiums and other environments where audience
sound needs to be recorded.
Several tools in
one
A wide selection of acoustic modification accessories,
including nose cone and interchangeable protection
grids, allows the 4006C to be acoustically transformed
into seven different microphone versions, making it the
most multifaceted mic in your collection and a
tremendous value. By simply changing a grid or mounting
an element over the capsule, it is possible to gain
several unique frequency responses and directional
characteristics from a single mic. Furthermore, these
grids and elements will not produce any phase shift,
noise or distortion that would otherwise be introduced
by an electrical filter.
Also available as
matched stereo pair
The
ST4006C stereo pair is supplied in a specially
designed PeliTM Case, the stereo matching is free of
charge. |
|
General Specifications |
|
Directional pattern: |
Omnidirectional |
|
Principle of operation: |
Pressure |
|
Cartridge Type: |
Pre-polarized condenser |
|
Frequency range: |
10 Hz to 20 kHz |
|
Frequency range, ± 2 dB: |
20 Hz to 20 kHz
|
|
Sensitivity, nominal, ± 2 dB at 1 kHz: |
40 mV/Pa; -28 dB re. 1 V/Pa |
|
Equivalent noise level, A-weighted: |
Typ. 15 dB(A) re. 20 µPa
(max. 17 dB(A)) |
|
Equivalent noise level, ITU-R BS.468-4: |
Typ. 27 dB (max. 29 dB) |
|
S/N ratio (A-weighted), re. 1 kHz at 1 Pa (94 dB SPL): |
Typ. 79 dB(A) |
|
Total Harmonic Distortion (THD) at 1 kHz: |
< 1 % up to 134 dB SPL
peak |
|
Minimum load impedance: |
2 kohm |
|
Dynamic range: |
Typ. 119 dB |
|
Max. SPL, peak before clipping: |
140 dB |
|
Output impedance: |
<200 ohm |
|
Cable drive capability: |
100 m (328 ft) |
|
Output balance principle: |
Impedance balancing with
Active Drive |
|
Common Mode Rejection Ratio (CMRR): |
> 50 dB |
|
Power supply (for full specifications): |
48 V Phantom power (± 4 V) |
|
Current consumption: |
2.8 mA |
|
Color: |
Matte black |
|
Weight: |
63 g (2.2 oz) |
|
Diameter: |
16 to 19 mm (0.63 to 0.75
in) |
|
Capsule diameter: |
16 mm (0.63 in) |
|
Output voltage, RMS: |
> 4 V |
|
Microphone Length: |
64 mm (2.5 in) |
|
Polarity: |
+V at Pin 2 for positive
sound pressure |
|
Connector: |
XLR-3M. Pin 1: shield, Pin
2: signal + phase, Pin 3: - phase |
|
Relative Humidity (RH): |
Up to 90% |
|
Temperature range: |
-40 °C to 45 °C (-40 °F to
113 °F) |
|
Matching tolerance: |
± 0.5 dB |
|
Phase deviation for kit: |
< 5° |

|
| |
|
|
|
|