|
|
      |
|
|
|
Mackie - MIXER -
SR32•4 VLZ PRO |
|
 |
Model:
SR32•4 VLZ PRO
32 Channel Mixing Consoles
We designed the original SR24•4 and SR32•4 to be the best value 4-bus live sound
mixers ever offered. But being basically insecure, we decided to make them even
better. The VLZ Pro versions include:
- XDR mic preamps with 60dB gain range,
130dB dynamic range, 192kHz bandwidth, 0.0007% THD
- Best RFI resistance of any compact SR
mixer in the galaxy thanks to advanced DC-pulse transformers.
- New ultra-high-performance 2068 op amps
for incredibly low noise and distortion
- Improved cooling for even greater thermal
protection in hot environments.
|
|
On stage (or in the studio), XDR
microphone preamps and VLZ® give these mixers fantastic headroom,
astonishing fidelity and an absolutely subterranean noise floor. The
SR24•4-VLZ PRO and SR32•4 VLZ PRO also have main and submix
amplifiers that use our distinctive negative gain mix architecture,
which provides double the mix headroom of conventional designs.
Four buses make live mixing a breeze because you can submix groups
of inputs and then control them with one fader – for example all of
your background vocals or all your drum mics.
The SR24•4-VLZ PRO has 20 mono mic/line channels with XDR mic
preamps PLUS two special line level channel strips. The SR32•4 VLZ
PRO has 28 XDR-equipped mic/line channels plus two special line
level channels.
Equalization on the SR-VLZ PRO Series mixers is very versatile.
Besides the fact that our Hi and Lo shelving EQ are centered at
useful frequencies – 12kHz and 80Hz, respectively – the SR24•4-VLZ
PRO and SR32•4-VLZ PRO have sweepable midrange EQ (on mono
channels). You can center the midrange anywhere from 100Hz to 8kHz,
low enough to use as a second low frequency EQ, and high enough to
use in the high frequency range. (Stereo channels on both mixers
have 4-band EQ, with 12kHz and 80Hz Hi and Lo shelving EQ, and two
fixed mids at 3kHz and 800Hz.).
And a low cut filter (on mono channels) centered at 75Hz allows you
to cut out mic thumps and wind noise that can enter your mix and rob
you of amplifier power.
The SR-VLZ PRO Series mixers have six aux sends per channel, with
the flexibility to handle multiple chores at once. Two of the aux
sends are pre-fader, so you can use them for monitor sends during a
live session. Two other aux sends are post-fader, which you would
want for effects during studio tracking and mixdown. But get this:
the final two aux sends are switchable to pre- or post-fader! So you
can have 4 pre-fader aux sends, or 4 post-fader aux sends, whenever
you need them.
Along with great channel EQ, SR-VLZ PRO mixers come with factory
"Air." This peaking EQ circuit, centered at 16kHz, enhances guitars,
vocals, percussion, whatever, giving a gentle "lift" to the extreme
high end. The result is extra detail and fidelity in the high end.
Sound On Sound magazine said about Air: "[The] Air controls turned
out to be far more effective in adding top-end clarity than you
might first imagine – it's almost an 'exciter' kind of effect, but
without the harshness."
When you put all of the SR-VLZ PRO Series' features and enhancements
together, you'll have two highly-affordable sound reinforcement
mixers with what it takes for both live and small studio
applications.
|
|
Features |
- Premuim XDR mic preamps (20
on the SR24•4 VLZ PRO, 28 on the SR32•4 VLZ PRO)
- 4 submix buses
- 6 aux sends (2 pre, 2 post, 2
switchable pre/post)
- 3-band EQ with sweepable mids
(4-band fixed EQ on stereo channels)
- 75Hz Low cut filter on all
mono channels
- "Air" EQ on sub buses
- Talkback section with level
control, LED, and separate rear XLR input
- "Double-bused" sub outs for
eight track recording without repatching
|
- Inserts on all mono channels
and subs
- AFL/PFL solo on all channels
(globally switchable)
- 60mm log-taper faders for
consistent fades
- Balanced XLR and 1/4" main
outputs
- Additional mono XLR main out
with level control
- Balanced inputs and outputs
(except phones, inserts, RCAs)
- Built-in power supply
- 12V BNC lamp socket
|
|
