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Home < Main < Field Mixers < Sound Devices 442N
 PRODUCTS
PORTABLE DIGITAL RECORDER
702
702T
722
744T
788T
FIELD MIXER
302
MixPre
442
442N (Nordic)
COMPUTER AUDIO
USBPre
MICROPHONE PREAMP
MM-1
MP-1
HEADPHONE AMP
HX-3
MM-1
ACCESSORIES
CARRYING CASE
CS-3
CS-4W
CS-MAN
POWER ACCESSORIES
XL-B1 XL-NPH
XL-B2 XL-TP
XL-DC XL-WP
XL-H XL-WPH
AUDIO CABLES & INTERCONNECTS
XL-1 XL-4
XL-1A XL-7
XL-2 XL-10
XL-2F XL-14
XL-3 XL-40
TIME CODE & DATA CABLES
XL-1 XL-LL
XL-LX XL-LB
XL-BNC XL-RJ
MECHANICAL UPGRADES
XL-K1
XL-K2
PRO AUDIO
Sennheiser
Shure
Tascam
Audio Technica

 

Sound Devices 442N (Nordic)         
Field Mixer  

The 442 Nordic (442N) Field Production Mixer is virtually identical to the 442, with the exception of its Nordic scale PPM meter instead of the SMPTE-based peak meter on the 442.


Key Features

  • Lundahl transformer-balanced mic or line-level inputs on XLR connectors

  • Transformer-balanced line/tape/mic level output on XLR connectors

  • Continuously adjustable input trim

  • Variable high-pass filter

  • Continuously variable pan control

  • Phantom (48-volt or 15-volt) or "T" microphone powering selected per channel

  • Solo (PFL) channel monitoring in headphones

  • Peak limiters per channel

  • Direct outputs on TA3 locking connectors

  • Transformer-balanced line/tape/mic level output on Hirose connector

  • Balanced line or tape level output on TA3 locking connectors

  • Un-balanced TRS-stereo tape level output on 1/8-inch connector

  • Un-balanced TS-mono mic level output on 1/8-inch connector

  • Sunlight-viewable LED meters with proprietary software-selected ballistics

  • On-board MS stereo matrix, channels 1 and 2

  • Two independent monitor return inputs for monitoring two-camera productions

  • Push pots for setup features keep front panel clutter-free

  • Compact 6061 aluminum chassis

  • Powered by four AA batteries or external 5 - 18 VDC

Specifications
Maximum Gain: 81 dB - mic in to line out
41 dB - mic in to mic out
67 dB - mic in to tape out
101 dB - mic in to headphone out
Frequency Response: 20 Hz - 30 kHz, +0.2, -0.5 dB, -1 dB @ 5 Hz and 50 kHz typical
Equivalent Input Noise: -126 dBu (-128 dBV) maximum. (22 Hz - 22 kHz bandwidth, flat filter, trim control fully up)
Dynamic Range: 115 dB minimum (trim fully down)
THD + Noise: 0.007% typical (1 kHz, +4 dBu at line out), 0.09% max (50 Hz - 20 kHz, +18 dBu at line out, fader fully up)
Output Noise: -100 dBu (-102 dBV) maximum (22 Hz - 22 kHz bandwidth, flat filter, master gain fully up, faders fully down)
High-Pass Filters: sweepable 80 Hz to 240 Hz, 12 dB/oct at 80 Hz, 6 dB/octave at 240 Hz
Temperature: operating: –20°C to 60°C, 0 to 95% relative humidity; (non-condensing), storage: –40°C to 85°C
Powering: internal ±16 V (bi-polar) regulated audio rails, 3.2-8 V range internal batteries, isolated (floating) external DC input jack, 5-18 V
Locking 4-pin Hirose connector, pin-4 = (+), pin-1 = (-)
Metering: 40 segment, sunlight-viewable,
selectable Peak, VU, or Peak (with or without peak hold) + VU ballistics
Weight: 2.0 kg, (4.5 lbs) unpackaged with four alkaline AA batteries
Input Clipping Level: 0 dBu minimum (trim control fully down)
Line Output Clipping Level: (1% THD): 20 dBu minimum
18 dBu minimum w/600 ohm load
Input Type: XLR mic - 2k ohm Z, transformer-balanced, 0 dBu max input
XLR line - 16k ohm Z, transformer-balanced, +40 dBu max input
Output Type: XLR & multi-pin @ line - 85 ohm Z, transformer-balanced, +20 dBu max output
XLR & multi-pin @ mic - 150 ohm Z, transformer-balanced, +6 dBu max output
TA3 line - 1k ohm Z, impedance-balanced, +20 dBu max output
Common Mode Rejection Ratio: 120 dB minimum at 80 Hz, mic input, 100 dB minimum at 10 kHz, mic input
L/R Gain Matching: Mic in to Line Out: ± 0.1 dB
Mic Powering: (each mic selectable):
no power applied, 12 V phantom, 48 V, 12 V T-power
Input Limiters: affects the output of the mic preamps only ('Trim' stage), +18 dBu threshold, 20:1 limiting ratio, 1 mS attack time, 200 mS release time
Output Limiters: threshold selectable from +4 dBu to +20 dBu, 1 dB steps, 20:1 limiting ratio, 1 mS attack time,
200 mS release time
Dimensions: 53 mm x 165 mm x 279 mm (H x W x D), 2.1” x 6.5 x 11"

Expandore Singapore India 100706

SoundDevices 020708
PORTABLE DIGITAL RECORDER
| 702 | 702T | 722 | 744T | 788T  | FIELD MIXER | 302 | MixPre | 442 | 442N (Nordic) |
COMPUTER AUDIO
| USBPre | MICROPHONE PREAMP | MM-1 | MP-1 | HEADPHONE AMP | HX-3 | MM-1 |
ACCESSORIES CARRYING CASE | CS-3 | CS-4W | CS-MAN |
POWER ACCESSORIES
| XL-B1 | XL-NPH | XL-B2 | XL-TP | XL-DC | XL-WP | XL-H | XL-WPH |
AUDIO CABLES & INTERCONNECTS | XL-1 | XL-4 | XL-1A | XL-7 | XL-2 | XL-10 | XL-2F | XL-14 | XL-3 | XL-40 |
TIME CODE & DATA CABLES | XL-1 | XL-LL | XL-LX | XL-LB | XL-BNC | XL-RJ | MECHANICAL UPGRADES | XL-K1 | XL-K2 |
PRO AUDIO |
Sennheiser | Shure | Tascam | Audio Technica |

Yamaha 101006
MIXERS -
DIGITAL MIXERS -
PM1DV2 | PM5D, PM5D-RH  | M7CL-48, M7CL-32 |  LS9-32, LS9-16 | DVM2000VCM | DVM1000V2 | 02R96V2 | 01V96V2 |
ANALOG MIXERS -
PM5000 | MG32/14FX | MG24/14FX | MG16/6FX | MG16/4 | MG12/4FX | MG12/4 | MG10/2 | MG8/2FX  | POWERED MIXERS - EMX5016CF |
EMX5014C
| EMX512SC | EMX312SC | EMX212S  | Portable PA Systems - STAGEPAS 300  | Add-on Effects - AE011  | AE021  | AE031  | AE041  | AE051

PROCESSORS - Digital Multi Effects - SPX2000
 | Digital Mixing Engines - DME64N, DME24N | DME Satellite | Speaker Processor - SP2060 |
Digital Reverbs - REV100 | Analog Equalizers - Q2031B
|

POWER AMPS - Stereo Power Amps - Tn Series | PC-1N Series | XP Series | P Series | Multi-Chan. Power Amps - XM Series  |
Distribution Power Amp -
XH200

SPEAKERS - LOUD SPEAKERS - Installation Series
| Club V Series | BR Series | AX Series SURFACE MOUNT SPEAKERS - S55 | S15  | POWERED SPEAKERS -
MSR100 | MSR400 | POWERED SUBWOOFER - MSR800W | POWERED MONIT. SPEAKERS - HS Series | MSP5A | MSP3 | MS101II |

INTERFACES - Mini-YGDAI Cards | Network Interfaces - ACU16-C | NHB32-C | NAI48-ES | A/D, D/A Converters - AD8HR | AD824 | DA824 |
Mic Line Amplifier - MLA8