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Yamaha Analog Mixer - PM5000 |
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Model:
PM5000
Yamaha Analog Mixer
The analog
alternative to the
PM1D for
applications
requiring
uncompromised
quality and
performance on a
large scale.
Complete with moving
faders and scene
memory |
Features
Specifications |
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The Pinnacle of the PM
Series
In the 30 years or so that have elapsed since the field of "sound
reinforcement" began to evolve from the simple PA systems that were
the norm throughout the 60's and early 70's, Yamaha has made
significant strides forward. The very first PM console, introduced
way back in '72, was a front-line contender in the field with
superior performance and features. The PM1000 and then the PM2000
set new standards of quality. The PM4000 became the de-facto
industry standard. Each new model in the PM series has traditionally
built upon and augmented the strengths of its predecessor, adding
new features and functionality that became the templates that others
would follow - the matrix mix system introduced on the PM1000 and
the PM3000's VCAs are perfect examples. In a sense, Yamaha has led
the field of modern console design and production all the way. The
same can be said of the incredible PM1D all-digital console, which
has essentially defined the role of digital technology in sound
reinforcement for the foreseeable future. The evolution continues to
this day.
The PM5000 is simply the most advanced analog sound reinforcement
console in its class. It is a "pure analog" console in the audio
sense, and it borrows freely from the world of digital technology to
give you unprecedented control flexibility and efficiency. The
PM5000 is the culmination of Yamaha's extensive experience and
expertise in many areas — professional console design and
production, control interface design, and of course sound itself.
There's really only one choice if you need the best in terms of
capacity, versatility, reliability, and most importantly, unmatched
sound quality: the Yamaha PM5000
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Features |
- Uncompromised Sound Quality
You'd Expect from the PM Series…and More
- Fully-equipped Input Channels
- 35-bus Configuration Covers
Both FOH and Monitor Applications
- 12 VCAs and a 4-stereo +
8-mono Matrix
- A Choice of Three Models
- Quiet, Dependable Power
Supply
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Advanced Features:
- Easy-access Panel Layout with
Logical Color Scheme
- New Variable Summing Gain
Control
- Digital Scene Storage and
Recall
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General
Specifications |
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Total harmonic distortion: |
Less than 0.1% (THD+N) |
20Hz to 20kHz @ +14dBu, 600ohms
(Input GAIN = Max.) |
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Frequency response: |
0, +1,-3dB |
20Hz to 20kHz @ +4dBu, 600ohms
(Input GAIN = Max.) |
Hum & noise level
20Hz to 20kHz
Rs=150ohms
InputSensitivity=-60dBu
Input GAIN = Max.
PAD=OFF |
-128dBu |
Equivalent input noise |
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-100dBu |
Residual noise |
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-94dBu (98dB S/N) |
STEREO AUX Master fader at nominal
level and all Ch assign SW's off |
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-87dBu (91dB S/N) |
GROUP/AUX Master fader at nominal
level and all Ch assign SW's off |
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-94dBu (98dB S/N) |
STEREO, MONO(C) Master fader at
nominal level and all Ch assign SW's off |
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-64dBu (68dB S/N) |
STEREO AUX, GROUP/AUX, STEREO, MONO(C)
Master fader at nominal level one Ch fader at nominal level. |
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-89dBu (93dB S/N) |
MATRIX Master at nominal level and
all Matrix mix controls at minimum level |
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Crosstalk |
-80dB |
@1kHz adjacent input channels |
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-80dB |
@1kHz input to output |
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Maximum voltage gain |
64dB |
CH IN to CH INSERT OUT
DIRECT OUT (pre fader) |
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80dB |
CH IN to STEREO AUX OUT (PRE)
GROUP/AUX OUT (AUX mode & PRE) |
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90dB |
CH IN to STEREO AUX OUT (POST)
GROUP/AUX OUT(AUX mode & POST) |
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84dB |
CH IN to GROUP/AUX OUT(GROUP mode)
STEREO OUT(CH to ST)
MONO(C) OUT(CH to MONO) |
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94dB |
CH IN to STEREO OUT(GROUP to ST)
MONO(C) OUT(Master to MONO) |
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90dB |
CH IN to MATRIX OUT(GROUP to MATRIX) |
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64dB |
ST IN to ST INSERT OUT |
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80dB |
ST IN to STEREO AUX OUT(PRE) |
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90dB |
ST IN to STEREO AUX OUT(POST) |
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84dB |
ST IN to GROUP/AUX OUT(GROUP mode)
STEREO OUT(CH to ST) |
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81dB |
ST IN to MONO(C) OUT(CH to MONO) |
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77dB |
ST IN to GROUP/AUX OUT(AUX mode &
PRE) |
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87dB |
ST IN to GROUP/AUX OUT(AUX mode &
POST) |
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10dB |
SUB IN to Master OUT |
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6dB |
2TR IN to MONITOR OUT |
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Channel input PAD: |
26dB |
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Channel input GAIN: |
50dB variable |
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Channel input HPF: |
12dB/octave roll off below 20 to
400Hz at -3dB point |
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Channel input EQ |
- |
±15dB max. |
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HIGH |
1k to 20kHz(peaking/shelving, Q=0.5
to 3) |
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HI-MID |
400-8kHz(peaking, Q=0.5 to 3) |
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LO-MID |
80-1.6kHz(peaking, Q=0.5 to 3) |
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LOW |
30 to 600Hz(peaking/shelving, Q=0.5
to 3) |
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Phantom voltage: |
+48V DC |
Phantom voltage ON/OFFswitch for each
CH INPUT) |
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Oscillator |
100Hz, 1kHz, 10kHz, PINK |
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SWEEP/BURST |
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Off |
on(parameter) |
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Sine wave |
Fix |
sweep (x0.2 to x20), ≤1% THD@4dB |
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Pink noise |
200msec |
Interval (1sec to 20sec) |
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OSC ON, LEVEL |
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Mute scene memory: |
128 (8 direct recall) |
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Dimensions and Weight |
Width |
52C: 2145mm
36: 1668mm
28: 1430mm |
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Height |
349mm |
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Depth |
1113mm |
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Weight |
52C: 230kg
36: 180kg
28: 160kg |
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Power consumption |
PM5000-52C, -36, -28 - 1100W |
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Dimensions and weight |
480(W) x 186(H) x 459(D)mm /34kg |
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Input Terminal |
PAD |
Gain |
Input Level |
Actual Load Impedance |
For use with nominal |
Connector*4 |
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Sensitivity |
Nominal |
Max. before clip |
MONO IN (1-n) *1
ST IN (1-4) |
0 |
-60 |
-80dBu |
-60dBu |
-40dBu |
3kohms |
50-600ohm Mics & 600ohm Lines |
XLR-3-31 type |
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26 |
-54dBu |
-34dBu |
-14dBu |
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0 |
-10 |
-30dBu |
-10dBu |
+10dBu |
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26 |
-4dBu |
+16dBu |
+30dBu |
Stereo AUX SUB IN (1-12)[L,R]*2
GROUP/AUX SUB IN (1-8)*2
Stereo SUB IN [L,R]
MONO(C) SUB IN
Monitor SUB IN [L,R,C]
Matrix SUB IN [L,R] |
-6dBu |
+4dBu |
+24dBu |
10kohms |
600ohm Lines |
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Talkback IN |
-66dBu |
-50dBu |
-20dBu |
3kohms |
50-600ohm Mics |
Mono IN Insert IN(1-n)*1
ST IN Insert IN(1-4) |
-16dBu |
+4dBu |
+24dBu |
10kohms |
600ohm Lines |
TRS phone jack |
Stereo AUX Insert IN(1-12)[L,R]
Group /AUX Insert IN(1-8)
Stereo Insert IN [L,R]
Mono (C) Insert IN
Stereo Matrix Insert IN(1-4)[L,R]
Matrix Insert IN[1-8] |
-6dBu |
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2TR IN 1,2[L,R] |
-2dBu |
+4dBu |
+24dBu |
10kohms |
600ohm Lines |
XLR-3-31 type |
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Output Terminal |
Actual Source Impedance |
For use with nominal |
Output Level |
Connector |
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Nominal |
Max. before clip |
STEREO AUX OUT (1-12)[L, R]
GROUP/AUX OUT (1-8)
STEREO OUT[L,R]
MONO/C OUT
STEREO MATRIX OUT (1-4)[L,R]
MATRIX OUT (1-8)
MONITOR OUT (A,B)[L, R]
TB/OSC OUT |
150ohms |
600kohm Lines |
+4dB |
+24dB |
XLR3-32 type |
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MONO IN DIRECT OUT (1-n)*1 |
150ohms |
10kohm Lines |
+4dB |
+24dB |
TRS phone jack |
MONO IN INSERT OUT (1-n)*1
ST IN INSERT OUT (1-4) |
150ohms |
10kohm Lines |
+4dB |
+24dB |
TRS phone jack |
STEREO AUX INSERT OUT (1-10)[L,R]
GROUP/AUX INSERT OUT (1-12)
STEREO INSERT OUT [L,R]
MONO/C INSERT OUT |
STEREO MATRIX INSERT OUT (1-4)[L,R]
MATRIX INSERT OUT (1-8) |
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Phones Out x 3 |
10ohms |
8ohm Lines |
75mW |
150mW |
ST phone jack |
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40ohm Lines |
65mW |
150mW |
*1 n=48(PM5000-52C),
32(PM5000-36), 24(PM5000-28)
*2 Only 28ch version does not have STEREO AUX SUB IN and GROUP/AUX
SUBIN
*3 0dBu is referenced to 0.775Vrms
*4 All XLR connector are balanced, Phone jacks(TRS) are
balanced(T:hot, R:cold, S:GND) and Phone jacks (STEREO) are
unbalanced.
*5 Sensitivity is the lowest that will produce an output of
+4dBu(1.23V), or the nominal output level when the unit is set to
maximum level |
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