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MIXERS |
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Digital Mixers |
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PM1DV2 |
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PM5D, PM5D-RH
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M7CL-48, M7CL-32 |
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LS9-32,
LS9-16 |
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DVM2000VCM |
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DVM1000V2 |
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02R96V2 |
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01V96V2 |
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Analog Mixers |
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PM5000 |
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MG32/14FX,
MG24/14FX |
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MG16/6FX, MG16/4,
MG12/4FX, MG12/4 |
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MG10/2, MG8/2FX |
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Powered Mixers |
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EMX5016CF |
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EMX5014C |
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EMX512SC, EMX312SC,
EMX212S |
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ADD-ON
EFFECTS |
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PROCESSORS |
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POWER AMPS |
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SPEAKERS |
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INTERFACES |
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PA
Systems |
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Yamaha Digital Mixer -
DVM2000VCM |
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Model: DVM2000VCM
Yamaha Digital Mixer
The first digital
mixer in the world
to receive official
THX pm3 approval for
surround sound
production. Version
2 includes a number
of refinements,
including built-in
Add-on effects |
Features
Applications
Specifications
Optional Accessories:
Add-on Effects :
Channel Strip, Master Strip, Reverb, Surround Post, Vintage Stomp |
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The First Choice for
Digital Audio Production Just Got Better
It wasn't that long ago that
Yamaha's groundbreaking DM2000 Digital Mixing Console took the
professional audio world by storm, establishing digital surround
mixing and the 24-bit/96 kHz format as the industry's standards. In
the same way that the Yamaha DMC1000, 02R and then the PM1D
revolutionized the fledgling field of digital mixing as it grew in
rapidly increasing leaps and bounds throughout the last decade, the
Yamaha DM2000 Digital Production Console has defined the industry
standard. Much more than simply a high-performance digital mixer,
the DM2000 is a total production tool that also offers 96 kHz
effects, advanced surround production facilities, extensive
integrated DAW and machine control, computer and memory-card based
data management, and an extraordinarily flexible bus system with
digital patching, and inserts. Moreover, the DM2000's "smaller
brothers" in the new range the DM1000, 02R96 and 01V96 implement
common elements of the DM2000 user interface, and mix data is
interchangeable using the supplied Studio Manager Application
software. These consoles can be linked and cascaded interactively
within a multi-room studio, or a tour engineer can do a basic
console setup on his laptop computer anywhere and then simply load
the settings into the console at the venue. Now DM2000 Version 2
offers, in addition to significant overall performance enhancements,
a range of new features that add advanced capabilities for audio
production, broadcast, and live applications. But there's more. You
also get the capability to install the new optional Add-on Effects,
providing a range of state-of-the-art effect programs in addition to
the current internal effect list
 |
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Features |
- Precise 24-bit/96-kHz Audio
and High-performance Head Amps
- 96-input 24-bus Mix Capacity
at 96 kHz
- Powerful Channel Functions
with Flexible Control and Patching
- Eight Advanced Multi-effect
Processors Plus Six 31-band GEQs
- Versatile Connectivity for a
Wide Range of Applications
- Six I/O Expansion Slots for
Easy Expansion in a Variety of Formats
- Cascade Connector and a
Generous Selection of Control Interfaces
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- An Ideal Platform for
Surround Production
- Enhanced Surround Monitoring
Environment Includes Bass Management
- Sophisticated DAW or Digital
Recorder Integration
- Scene Memory and Automix
Functions for Efficient Workflow
- Versatile Pairing and
Grouping Functions Enhance Mixing Efficiency
- Comprehensive Interface with
Touch-sensitive 100-mm Motor Faders
- DM2000 Editor Software
Supplied
- VCM Technology
- iSSP Technology
- REV-X
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Applications |
- Connection with 96kHz
Recorders
- The DVM2000 with Pro Tools
- Nuendo Setting (24tr 96kHz
Recording)
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- High-capacity Sound
Reinforcement with Remote Head Amp
- DVD Authoring (6.1 Surround
Monitoring)
- Stem Mix Monitoring
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General
Specifications |
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Internal processing: |
32bit (Accumulator=58bit) |
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Frequency response: |
Internal: 44.1kHz,48kHz,88.2kHz,96kHz
External: Normal rate-44.1kHz(-10%) to 48kHz(+6%)
Double rate- 88.2kHz(-10%) to 96kHz(+6%) |
Total harmonic distortion*
Input Gain=Min.: |
CH INPUT to STEREO OUT
Less than 0.05%, 20Hz to 20kHz @+14dB into 600ohms
Less than 0.01%, 1kHz @+18dB into 600ohms
(@Sampling frequency=48kHz)
Less than 0.05%, 20Hz to 40kHz @+14dB into 600ohms
Less than 0.01%, 1kHz @+18dB into 600ohms
(@Sampling frequency=96kHz) |
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Frequency response: |
CH INPUT to STEREO OUT
0.5, -1.5dB, 20Hz to 20kHz @+4dB into 600ohms
(@Sampling frequency=48kHz)
0.5, -1.5dB, 20Hz to 40kHz @+4dB into 600ohms
(@Sampling frequency=96kHz) |
Dynamic range
(maximum level to noise level): |
110dB typ, DA Converter(STEREO OUT)
108dB typ, AD+DA(to STEREO OUT) |
Hum & noise level **
(20Hz to 20kHz) Rs=150ohms Input Gain=Max Input Pad=0dB Input
Sensitivity=-60dB: |
-128dB Equivalent Input Noise
-94dB residual output noise. STEREO OUT
STEREO OUT off
-94dB(96dB S/N) STEREO OUT
STEREO fader at nominal level and all CH INPUT faders at minimum
level
-64dB(68dB S/N) STEREO OUT
STEREO fader at nominal level and one CH INPUT fader at nominal
level |
Crosstalk(@1kHz)
Input Gain=Min: |
80dB adjacent input channels(CH1-24)
80dB input to output |
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Power requirements: |
Japan: AC100V 50/60Hz, 300W
North America: AC120V, 60Hz, 300W
Other Areas: AC220-240V, 50/60Hz, 300W |
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Dimensions, Weight: |
DM2000: 257(H)x821(D)x906(W)mm 43.0kg
DM2000+MB2000+SP2000: 371(H)x883(D)x968(W)mm 51.6kg |
* Total Harmonic
Distortion are measured with a 6dB/octave filter @80kHz
** Hum&Noise are measured with 6dB/octave filter @12.7kHz;equivalent
to a 20kHz filter with infinite dB/octave attenuation |
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Analog Input Characteristics |
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Input Terminal |
PAD |
Gain |
Input Level |
Actual Load Impedance |
For use with nominal |
Connector |
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Sensitivity |
Nominal |
Max. before clip |
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CH Input A/B 1-24 |
0 |
-60dB |
-70dB |
-60dB |
-46dB |
3kohms |
50-600ohm Mics & 600ohm Lines |
A: XLR3-3` Type (Balanced)
B:TRS Phone Jack (Balanced) |
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-16dB |
-26dB |
-16dB |
-2dB |
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26 |
0dV |
+10dB |
+24dB |
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Insert In 1-24 |
-6db |
+4dB |
+18dB |
10ohms |
600ohm Lines |
TRS Phone Jack (Balanced) |
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2TR In Analog 1 (L,R) |
+4dB |
+4dB |
+18dB |
10ohms |
600ohm Lines |
TRS Phone Jack (Balanced) |
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2TR In Analog 2 (L,R) |
-10dB |
-10dB |
+4dB |
10ohms |
600ohm Lines |
RCA Pin Jack (Unbalanced) |
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Analog Output Characteristics |
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Output Terminal |
Actual Source Impedance |
For use with nominal |
GAIN SW |
Output Level |
Connector |
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Nominal |
Max. before clip |
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Stereo Out (L,R) |
600ohms |
10kohm Lines |
- |
-10dBV |
+4dBV |
RCA Pin Jack (Unbalanced) |
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150ohms |
600ohm Lines |
- |
+4dB |
+18dB |
XLR3-32 Type (Balanced) |
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Studio Monitor Out (L,R) |
150ohms |
10kohm Lines |
- |
+4dB |
+18dB |
TRS Phone Jack (Unbalanced) |
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C-R Monitor Out Large (L,R) |
150ohms |
600ohm Lines |
- |
+4dB |
+18dB |
XLR3-32 Type (Balanced) |
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C-R Monitor Out Small (L,R) |
150ohms |
600ohm Lines |
- |
+4dB |
+18dB |
XLR3-32 Type (Balanced) |
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Omni Out 1-8 |
150ohms |
10kohm Lines |
+18dB (Default) |
+4dB |
+18dB |
TRS Phone Jack (Balanced) |
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+4dB |
-10dB |
+4dBV |
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Insert Out 1-24 |
600ohms |
10kohm Lines |
- |
+4dB |
+18dB |
TRS Phone Jack (Balanced) |
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Phones |
100ohms |
8ohm Lines |
- |
4mW |
25mW |
ST Phone Jack (Unbalanced) |
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40ohm Lines |
- |
12mW |
75mW |
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Digital Input Characteristics |
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Terminal |
Format |
Data Length |
Level |
Connector |
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2TR In Digital |
1 |
AES/EBU |
24bit |
RS422 |
XLR3-31 Type (Balanced) |
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2 |
AES/EBU |
24bit |
RS422 |
XLR3-31 Type (Balanced) |
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3 |
IEC-60958 |
24bit |
0.5Vpp/75ohms |
RCA Pin Jack |
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Cascade In |
- |
- |
RS422 |
D-sub Half Pitch Connector 68P
(female) |
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Digital Output Characteristics |
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Terminal |
Format |
Data Length |
Level |
Connector |
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2TR In Digital |
1 |
AES/EBU (Professional use) |
24bit |
RS422 |
XLR3-31 Type (Balanced) |
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2 |
AES/EBU (Professional use) |
24bit |
RS422 |
XLR3-31 Type (Balanced) |
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3 |
IEC-60958 (Consumer use) |
24bit |
0.5Vpp/75ohms |
RCA Pin Jack |
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Cascade Out |
- |
- |
RS422 |
D-sub Half Pitch Connector 68P
(female) |
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