YAMAHA
Digital Multi Effects - SPX2000

  Mackie | Yamaha | Steinberg | JBL   | Sound Devices |  Azden  | SHURE  |  Sennheiser  | Tascam  | Data video Feedbacks Contact Us  |  TASCAM" style="text-decoration: none"> Email Us |  Visit Us  |

Home > Yamaha > Processors > Digital MultiEffects > SPX2000 Offer Yamaha Processors-Digital Multi Effects, SPX2000">
PROCESSORS
Digital Mixing Engines
DME64N, DME24N
DME Satellite
Speaker Processor
SP2060
DigitalMultiEffects
SPX2000
Digital Reverbs
REV100
Analog Equalizers
Q2031B
MIXERS
Analog Mixers
Digital Mixers
Powered Mixers
POWER AMPS
Stereo Power Amps
Multi-Channel Power Amps
Distribution Power Amps
SPEAKERS
Loud Speakers
Surface Mount Speakers
Powered Speakers
Powered Subwoofer
Powered Monitor Speakers
INTERFACES
Mini-YGDAI Cards
Network Interfaces
Amplifier Control Devices
A/D, D/A Converters
Mic Line Amplifier
ADD-ON EFFECTS
PA SYSTEMS
Yamaha Digital Multi Effects - SPX2000


SPX2000


Model:
SPX2000
Yamaha Digital Multi Effects

The pinnacle of Yamaha's acclaimed SPX multi-effect processor range includes the unmatched Rev-X reverb algorithm and a "Classic Bank" with recreations of valued classic effects

 LaCie d2 Network 2 301504

 


New-generation SPX with 24-bit 96-kHz Processing and Advanced REV-X Reverb Algorithms

For more than 15 years the letters "SPX" have been synonymous with professional multi-effect processors, and over that time you would almost always find an SPX90, SPX90II, SPX900, SPX1000 or SPX990 in any well-equipped studio or live-sound rack. The SPX2000, while inheriting the standard interface and popular programs from its predecessors, brings a new dimension to the SPX sound with advanced REV-X reverb algorithms and 24-bit, 96k-Hz audio processing. It also offers an innovative user interface with features such as five assignable LCD backlight colors, operation lock modes, and computer-based editing. The SPX2000 is a new-generation multi-effect processor that delivers performance that is a perfect match for Yamaha's DM series Digital Production Consoles, and is suitable for applications from live sound to production studios

  • Superb Sonic Quality with 24-bit/96-kHz Processing Throughout
    The heart of the SPX2000 hardware is a 96-kHz DSP LSI with 32-bit internal processing (58-bit accumulator) that delivers plenty of processing power for the unit's advanced effect algorithms. 24-bit, 128-times oversampling AD and DA converters achieve 106 dB dynamic range and flat response from 20 Hz to 40 kHz at the 96-kHz sampling rate.
     

  • Refined Preset Programs Including the Advanced "REV-X" Reverb Algorithm
    The SPX2000 memory is organized into three banks: "PRESET," "CLASSIC" and "USER." The PRESET bank contains 97 programs, 17 of which feature Yamaha's acclaimed REV-X reverb algorithms. REV-X reverb programs deliver the richest reverberation tone and smoothest decay available. There are separate REV-X Hall, REV-X ROOM, and REV-X PLATE algorithms, and corresponding new parameters such as ROOM SIZE and DECAY ENVELOPE that contribute to higher definition and finer reverb nuance. The other 80 presets are popular SPX programs such as gate reverbs, delays, pitch effects, modulation and other special effects. Other advanced algorithms ... such as Multi-band Dynamic Processors ... are inherited from the DM series Digital Production Consoles. All programs have been created through detailed listening and editing by leading engineers.
    The "CLASSIC" bank contains 25 programs reminiscent of the original presets from early SPX models such as the SPX90II.
    The "USER" bank can store 99 user programs.

     

  • Efficient Color-coded Interface
    The SPX2000 is designed for maximum operability and reliability in any situation. The rugged aluminum front panel features 2 sets of intuitive cross-keys for easy navigation and editing. Parameters are arranged into 3 groups: PARAMETER, FINE PARAM, and UTILITY for speedy access. Other dedicated control keys ... UNDO, COMPARE, BANK, MODE, METER, TAP, and BYPASS ... ensure efficient operation. For striking visual contrast and easy identification, the SPX2000 LCD has five backlight color variations. Any of the five colors can be assigned to user programs as required. The preset programs are color-coded by effect group for instant identification: cyan for reverbs, white for delays, magenta for pitch & modulation, yellow for others, and green for the CLASSIC bank. Red is reserved for warning messages. There's also an OPERATION LOCK function that offers 3 security levels to prevent accidental utility setting changes, protect stored memories, or to prohibit almost all operations.
     

  • Professional Audio I/O and Control Connectors
    For analog input and output the SPX2000 rear panel has latching XLR type connectors as well as quarter-inch phone jacks for the left and right channels. A +4 dBu/-10 dBu selector switch provides extra level-matching flexibility. Digital connection is facilitated via AES/EBU XLR type I/O connectors and a BNC WORDCLOCK IN connector. MIDI IN, OUT/THROUGH and USB TO HOST connectors are provided for remote control and data management using a computers digital mixing console, or MIDI device. A footswitch connector for effect tempo control is provided on the front panel.
     

  • SPX2000 Editor for Mac OS X and Windows
    The supplied SPX2000 Editor application makes it easy to edit and manage data from a personal computer, as well as remotely control the SPX2000 directly from the computer. The SPX2000 Editor provides a common operating environment and interface for the SPX2000 and Yamaha digital mixing consoles.
     

  • 5 Color LCD PRESET ASSIGNMENT
    CYAN
    REVERB & ER
    WHITE
    DELAY & ECHO
    MAGENTA
    PITCH CHANGE & MODULATION
    YELLOW
    FILTER, DISTORTION, MULTIPLE & FREEZE
    GREEN
    CLASSIC BANK

General Specifications
  SPX-2000
Images SPX-2000
Dimensions Width 480mm
Height 45mm
Depth 372.5mm
Weight 4kg
Power Requirements AC100V-240V; 50/60Hz
 Power Consumption 25W
 

Expandore Singapore India Vietnam 150808


WW _ YamahaLink  Link1   Link2  050411
MIXERS | Digital Mixers | PM1DV2 | PM5D, PM5D-RH | M7CL-48, M7CL-32 | LS9-32, LS9-16 | DVM2000VCM | DVM1000V2 | 02R96V2 | 01V96V2 |
Analog Mixers | IM8 | MG32/14FX, MG24/14FX | MG16/6FX, MG16/4, MG12/4FX, MG12/4 | MG USB Models | MG CX Models | MG C Models |
Powered Mixers | EMX5016CF | EMX5014C | EMX512SC, EMX312SC, EMX212S(Box Type) |
ADD-ON EFFECTS | AE011 (Channel Strip) | AE021 (Master Strip) | AE031 (Reverb) | AE041 (Reverb) | AE051 (Vintage Stomp) |
PROCESSORS | Digital Mixing Engines | DME64N, DME24N | DME Satellite |
Speaker Processor | SP2060 | Digital Multi Effects | SPX2000 | Digital Reverbs | REV100 | Analog Equalizers | Q2031B |
POWER AMPS | Stereo Power Amps | TXn Series | Tn Series | PC-1N Series | XP Series | P Series |
Multi-Channel Power Amps | XM Series | Distribution Power Amps | XH200 |
SPEAKERS | Loud Speakers | Installation Series | Club V Series | AX Series | Surface Mount Speakers | S55 | S15 |
Powered Speakers | MSR100 | MSR250 | MSR400 | Powered Subwoofer | MSR800W |

Powered Monitor Speakers | MSP STUDIO Series | HS Series | MSP5A | MSP3 | MS101II |
INTERFACES | Mini-YGDAI Cards | Mini-YGDAI Cards |

Network Interfaces | NHB32-C | NAI48-ES |
Amplifier Control Devices | ACU16-C | A/D, D/A Converters | AD8HR | DA824 | Mic Line Amplifier |
MLA8
PA Systems | STAGEPAS 500 | STAGEPAS 300 | STAGEPAS 250M |
STAGEPAS 150M