Master Macro for
For those who
want the ultimate in image quality for table top cinematography,
product shots, close-up inserts on feature films or any other
applications that require a macro lens, the Master Macro 100
delivers images of breathtaking beauty.
- 100 mm
macro lens with 1:1 magnification ratio
optical design optimized for close-up work
T-stop range: T2.0 (infinity) / T4.3 (close focus) to T32
- Based on
Master Prime technology
resolution, high contrast and dramatically reduced flare
focal length allows greater distance to subject
Lens Data System (LDS)
Color Matched to Master Primes, Ultra Primes, Ultra 16
lenses, Lightweight Zoom LWZ-1
Designed for the ANSI Super 35 image format, the Master Macro
100 can be used on any PL mount 35 mm film and single sensor digital
camera. In addition it can be used on PL mount 16 mm film and single
sensor 16 mm or 2/3” format digital cameras.
With a 1:1 magnification ratio, a maximum aperture of T2.0 and an
optical design developed specifically for macro work, the Master
Macro delivers phenomenally sharp and contrasty images with vibrant
colors for extreme close-ups of the highest visual quality.
The use of aspherical lens surfaces and exotic glass types with
anomalous partial dispersion greatly reduces chromatic aberration
(color fringes). Modern optical design techniques ensure the optimal
light path for reduced stray light and minimized geometric
distortion, another feature the Master Macro 100 shares with the
Master Macro T2.0/100 mm
T2.0/T4.3 to T32
0.35 m / 13 3/4"
202.7 mm / 8"
114 mm / 4.5"
2.6 kg / 5.7 lbs
Horizontal angel of view ANSI Super 358 ID =
Horizontal angel of view DIN Super 359 ID =
Horizontal angel of view Normal 3510 ID =
77.1 mm / 3"
(1) T* XP is the trademark of the ZEISS
anti-reflection lens coating that significantly reduces veiling glare and other
XP stands for extended performance.
(2) Positive locking 54 mm stainless steel lens mount with Lens Data System
(3) Maximum aperture at infinity is T2.0, at close focus T4.3
(4) Close focus is measured from the film/sensor plane
(5) Magnification ratio is the relationship of the size of an object on film
(first number) to the size of that object in real life (second number)
(6) Lens length is measured from the lens mount to the front of the lens housing
(7) Diameter of the lens/matte box interface. Maximum lens housing diameter for
the Master Macro 100 is 138 mm.
(8) Horizontal angle of view for an ANSI Super 35 Silent camera aperture (aspect
ratio 1.33:1, dimensions 24.9mm x 18.7mm / 0.980" x 0.7362")
(9) Horizontal angle of view for a DIN Super 35 Silent camera aperture (aspect
ratio 1.33:1, dimensions 24mm x 18mm / 0.944" x 0.7087")
(10) Horizontal angle of view for a Normal 35 Academy camera aperture (aspect
ratio 1.37:1, dimensions 22mm x 16mm / 0.8661" x 0.6299")
(11) The image diameter (ID) is the diameter of the image circle needed for the
The Master Macro 100 is designed for the largest ID given here (ANSI Super 35).
(12) The distance from the entrance pupil to the film/sensor plane. Positive
numbers indicated an entrance pupil in front, negative numbers indicated an
behind the film/sensor plane. The entrance pupil (often mistakenly called "nodal
point") is the center of perspective; moving the camera/lens system around the
center of the entrance pupil prevents parallax errors. While largely irrelevant
for live action, this measurement is important for special effects work
The Master Diopters are a set of three high quality diopters (+0.5, +1 and +2).
Their unique mechanical design allows for safe and fast use, including quick
stacking. Close tolerances and a unique clamping mechanism ensure perfect
J 11ex4.5B IRSE/IASE,
DIGISUPER 100 xs,
DIGISUPER 86II xs,
DIGISUPER 86II TELE xs,
DIGISUPER 75 xs
DIGISUPER 72 xsDIGISUPER 25
DIGISUPER 23 xs
DIGISUPER 22 xs,
TELE SUPER 55,
IRSE/IASE, HJ22ex7.6B IRSE/IASE
HJ11ex4.7B IRSE/IASE, , HJ21x7.5B-II