Matrox MXO2 for PC

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MXO2

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Home > Matrox > Matrox MXO2

Matrox MXO2

Matrox MXO2
Matrox MXO2 gives you all the features of a high-quality capture card and a breakout box with a complete complement of professional audio and video inputs and outputs. It's also available with the Matrox MAX option for faster than realtime H.264 file encoding to turbo charge your deliveries to Blu-ray, the web, and mobile devices.

Convenient form factor for use in studio, on set, in the field, and in OB vans
– Lightweight – less than 3½ lbs. (1600 grams)
– Fits in your laptop bag – 13" x 9½" x 2" (330mm x 241mm x 51mm)
– Can run off a field battery or its AC
Works with Intel-based MacBook Pros, Mac Pros, and Apple Xserve systems
Broadcast-quality HD/SD video and audio input/output
– HD/SD SDI, HD/SD analog component, Y/C, and composite
– Up to five user-selectable simultaneous video outputs – HD and/or SD on
HDMI, SDI, and analog
– Professional audio inputs and outputs with 5.1 surround sound
monitoring
– Genlock – SD analog black burst (bi-level) or HD tri-level sync
– RS-422 machine control for frame-accurate capture and print-to-
Flexible support for leading codecs, file formats, cameras, and workflows
– Captures to a variety of codecs – Apple ProRes 422 HQ, 10-bit
uncompressed HD, and many more
– File-based workflow support – XDCAM, XDCAM HD, XDCAM EX, P2, P2HD
– RED workflow support
– HD-SDI closed captioning support
– AFD support
Matrox MXO2 supports closed captioning workflows with Final Cut Pro on the Mac and
Adobe Premiere Pro on the PC

Extensive application support including Final Cut Pro, Apple Color, Adobe After Effects and
Premiere Pro, and many more
10-bit HDMI input, output, and monitoring with the unique Matrox Calibration Utility
10-bit realtime hardware up/down/cross conversion on capture and output

Hardware acceleration of Final Cut Pro Dynamic RT segments, HDV, and DVCPRO HD
Matrox Vetura stand-alone application for convenient playback of your H.264 and .mov files
Also available with Matrox MAX for faster than realtime H.264 encoding
Three-year hardware warranty and complimentary telephone support

Product Code: MXO2

MXO2 Bundles

MX02+Desktop & Laptop Adaptor

MX02+Thunderbolt Adaptor

Technical Specifications

Video
Supported video formats	NTSC/PAL/NTSC-EIAJ 720P 50/59.94 1080I 50/59.94 1080P 23.98/24/25/29.97/30 1080PsF 23.98/24/25/29.97/30
HDMI input	1 HD input HDMI Y,Cb,Cr 4:2:2 (10-bit)/RGB (10-bit) 8 channels of embedded audio Standard Type A HDMI connector (19 pins)
HDMI output	1 HD or SD output HDMI Y,Cb,Cr 4:2:2 (10-bit)/RGB (10-bit) 8 channels of embedded audio HDMI 1.4a flag setting through control panel for 3D monitoring
SDI input	1 SD or HD input 16 channels of embedded audio on Mac 8 channels of embedded audio on the PC Compliant with SMPTE 259M, SMPTE 272M, SMPTE 292M, SMPTE 299M BNC connector (75 Ω), terminated Equalized input for maximum cable length support
SDI output	2 indentical SD or HD outputs for simultaneous monitoring and recording 16 channels of embedded audio on Mac 8 channels of embedded audio on the PC Compliant with SMPTE 259M, SMPTE 272M, SMPTE 292M, SMPTE 299M BNC connector (75 Ω)
Composite input	PAL/NTSC/NTSC-EIAJ 12-bit ADC 2x oversampling Anti-aliasing filtering Automatic gain control BNC connector (75 Ω), terminated
Composite output	PAL/NTSC/NTSC-EIAJ 12-bit DAC 8x oversampling BNC connector
S-Video input	PAL/NTSC/NTSC-EIAJ 12-bit ADC 2x oversampling Anti-aliasing filtering Automatic gain control 4-pin mini-DIN S-Video connector (75 Ω), terminated
S-Video output	PAL/NTSC/NTSC-EIAJ 12-bit DAC 8x oversampling 4-pin mini-DIN S-Video connector
Component input	Switchable between SD and HD EIA-770.3 compliant 12-bit ADC Anti-aliasing filtering BNC connector (75 Ω), terminated
Component output	Switchable between SD and HD EIA-770.3 compliant 12-bit DAC 2x oversampling BNC connector
HD analog component video passthrough performance	Frequency response Y: +/- 1.0 dB max to 28 MHz Frequency response Pb, Pr: +/- 1.0 dB max to 12 MHz Component channel delay: < 8 ns Component S/N (Y, Pb, Pr): > 50 dB, unified weighted
SD analog component video passthrough performance	Amplitude error: < 4% Frequency response: +/- 0.5 dB max to 5 MHz 2T pulse response: 1.0% max Diff. Gain: < 2%, Diff. Phase: < 1 degree S/N: > 58 dB, unified weighted

Audio
Analog inputs	2 channels unbalanced audio via RCA connectors Input impedance: Hi-Z Line level with 18 dB headroom (max level) 2 channels balanced audio via XLR connectors Nominal levels: +4 dBu (+4 dBm) Input impedance: Hi-Z Headroom (max level): 18 dB
Analog outputs	6 channels unbalanced audio via RCA connectors Output impedance: 100 Ω Line level with 18 dB headroom (max level) 4 channels balanced audio via XLR connectors Nominal levels: +4 dBu (+4 dBm) Output impedance: 50 Ω Headroom (max level): 18 dB
AES/EBU inputs	2 channels unbalanced 1 x BNC connectors (75 Ω), terminated Maximum input level: 5 Vp-p
AES/EBU outputs	2 channels unbalanced 1 x BNC connectors (75 Ω), terminated Nominal output level: 1Vp-p
SDI audio input	16 channels embedded audio on the Mac 8 channels embedded audio on the PC 24-bit, 48 kHz
SDI audio output	16 channels embedded audio on the Mac 8 channels embedded audio on the PC 24-bit, 48 kHz
HDMI audio input	8-channels embedded audio 24-bit, 48 kHz
HDMI audio output	8-channels embedded audio 24-bit, 48 kHz
Balanced analog audio performance	Sampling frequency: 48 kHz (using 64x oversampling) Quantization: 24 bits S/N: > 85 dB THDN at 1 kHz, nominal level: < 0.05%
Genlock
Reference input and output	HD analog tri-level sync or SD analog bi-level black burst BNC connector (75 Ω), terminated
Scaling
Dedicated hardware scaler	Multi-tap 10-bit realtime processing HD to SD downscaling - Proper conversion of the HD color space to the SD color space and proper aspect ratio conversion to anamorphic, letterbox, and center cut are provided. You can monitor or record an SD master of an HD project in real time. SD to HD upscaling - Proper conversion of the SD color space to the HD color space is performed. Footage with a 4:3 aspect ratio will be "pillarboxed". SD 16:9 footage will be scaled to full screen. Cross conversions from 720 to 1080 and 1080 to 720 All scaling operations can be accompanied by frame rate conversion with 2:3:2:3 and 2:3:3:2 cadences to facilitate monitoring 23.98 fps footage on a monitor that does not support the specific frame rate.

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