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Yamaha Digital Mixer - PM5D V2, PM5D-EX
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Model:
| PM5D V2 |
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The latest addition
to Yamaha's top-line
PM digital
live-sound series,
available with
"normal"
high-quality or
recallable head
amplifiers |
Features
Functions
Applications
Specifications
Optional Accessories:
Add-on Effects :
Channel Strip, Master Strip, Reverb, Surround Post, Vintage Stomp |
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A lot has changed in the past few
years — with more than a little help from Yamaha. Where analog
consoles were the only accepted means of handling serious sound
reinforcement applications, high-performance digital consoles such
as the Yamaha PM1D now share the limelight with their analog
brothers such as the PM4000, and more recently the PM5000. Digital
consoles are particularly valued in applications where
programmability and recall capability are proving to be of
monumental importance. As a small indication of just how much things
have changed in the world of professional sound reinforcement, in
March 2004 there were more than 400 PM1Ds in use in prestigious
halls, broadcast studios, and touring companies around the world.
The accolades keep coming in for other Yamaha digital consoles, too.
The fact that the DM2000 digital production console has received
both the coveted TEC (Technical Excellence & Creativity) award and
the MIPA (Musikmesse International Press Award) for "Best Sound
Reinforcement Console" indicates how much discerning professionals
have come to embrace the benefits of digital technology.
The PM5D and PM5D-RH Digital Mixing Consoles have taken the digital
revolution to the next level. They are smaller relatives of PM1D,
offering state-of-the-art digital performance for a significantly
broader range of SR applications that require a more dedicated
control surface than the DM2000. What's more, they offer a system
solution that can enhance the entire sound production process from
input to output through integration with digital systems such as
DME64N and AD8HR
Choice of Head Amps: PM5D or PM5D-RH:
The PM5D and PM5D-RH differ only in input functionality. The PM5D
features standard high-performance head amps, while the PM5D-RH adds
head-amp recall capability that allows head amp gain settings to be
recalled along with the other console.
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Features |
- Advanced Analog Circuitry,
Including Top-quality Head Amps
- Versatile Configuration with
Flexible I/O Patching Capability
- 96-kHz Processing for
Superior Sound and Response
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Functions |
Basic Functions:
- Extensive Channel and Output
Functions
- Eight Effect Processors and
12 Graphic EQs
- Optimized for Live Sound
Applications
- Software Built on the PM1D
Experience
- Universal power supply
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Advanced Functions:
- Enhanced Interoperability
with External Devices
- Supplied PM5D Editor
Application for Extended Control and Efficiency
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Applications |
- Remote Microphone
Preamplifier Control
- DME Control
- Cascaded PM5D Consoles
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- Bus & Control Cascade with a
Yamaha DM2000
- Cascade with a Yamaha DM1000
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General
Specifications |
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Internal processing: |
32bit (Accumulator=58bit) |
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Sampling frequency rate: |
Internal:44.1kHz, 48kHz, 88.2kHz,
96kHz
External:
Normal rate 44.1kHz(-10%) to 48kHz(+6%)
Double rate 88.2kHz(-10%) to 96kHz(+6%) |
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Signal delay: |
Less than 2.3ms (INPUT to STEREO A
@48kHz)
Less than 1.15ms (INPUT to STEREO A @96kHz) |
Total harmonic distortion
Input Gain=Min: |
CH INPUT to STEREO A, B
Less than 0.05% 20Hz to 20kHz @+4dB into 600ohms
(@Sampling frequency=44.1kHz, 48kHz)
Less than 0.05% 20Hz to 40kHz @+4dB into 600ohms
(@Sampling frequency=88.2kHz, 96kHz) |
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Frequency response: |
CH INPUT to STEREO OUT
0, +0.5, -1.5dB 20Hz to 20kHz @+4dB into 600ohms
(@Sampling frequency=44.1kHz, 48kHz)
0, +0.5, -1.5dB 20Hz to 40kHz @+4dB into 600ohms
(@Sampling frequency=88.2kHz, 96kHz) |
Dynamic range
(maximum level to noise level): |
110dB, DA Converter (STEREO OUT)
108dB@48kHz; 106dB@96kHz, (AD+DA to STEREO OUT) |
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Hum & noise level: |
-128dB Equivalent Input Noise
20-20kHz, Rs=150ohms, Input Gain=Max
-86dB residual output noise. STEREO OUT |
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Crosstalk(@1kHz): |
80dB adjacent input channels(CH1-48)
80dB input to output |
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Dimensions, Weight: |
1551(W) x 283(H) x 950(D)mm,
98kg(PM5D), 97kg(PM5D-RH) |
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Analog input characteristics (PM5D)
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Input Terminal |
Input Level |
Actual Load
Impedance |
For use with
nominal |
Connector |
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PAD |
Gain |
Sensitivity |
Nominal |
Max. before clip |
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Input |
0 |
-60dB |
-80dBu |
-60dBu |
-40dBu |
3kohms |
50-600ohm Mics & 600ohm Lines |
XLR3-31 Type |
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-16dB |
-36dBu |
-16dBu |
+4dBu |
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26 |
-10dBu |
+10dBu |
+30dBu |
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ST In 1-4 (L,R) |
- |
+34dB |
- |
-34dBu |
- |
4kohms |
600ohm Lines |
XLR3-31 Type |
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- |
+10dB |
-10dBu |
+10dBu |
+30dBu |
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Insert IN 1-48 |
- |
- |
-16dBu |
+4dBu |
+24dBu |
10kohms |
600ohm Lines |
TRS Phone Jack |
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2TR IN Analog 1,2 (L,R) |
- |
- |
-6dBu (-12dBu) |
+4dBu (-2dBu) |
+24dBu (+18dBu) |
10kohms |
600ohm Lines |
XLR3-31 Type |
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Talkback |
- |
- |
-60dBu |
-50dBu |
-30dBu |
3kohms |
50-600ohm Mics & 600ohm Lines |
XLR3-31 Type |
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Analog input characteristics
(PM5D-RH) |
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Input Terminal |
Input Level |
Actual Load
Impedance |
For use with
nominal |
Connector |
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PAD |
Gain |
Sensitivity |
Nominal |
Max. before clip |
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Input 1-48 & ST IN 1-4 (L,R) |
- |
-62dB |
-82dBu |
-62dBu |
-42dBu |
3kohms |
50-600ohm Mics & 600ohm Lines |
XLR3-31 Type |
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-10dB |
-10dBu |
+10dBu |
+30dBu |
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2TR IN Analog 1,2 (L,R) |
- |
- |
-6dBu
(-12dBu) |
+4dBu
(-2dBu) |
+24dBu (+18dBu) |
10kohms |
600ohm Lines |
XLR3-31 Type |
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Talkback |
- |
- |
-60dBu |
-50dBu |
-30dBu |
3kohms |
50-600ohm Mics & 600ohm Lines |
XLR3-31 Type |
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Analog Output characteristics (PM5D,
PM5D-RH) |
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Output Terminal |
Actual Source
Impedance |
For use with
nominal |
GAINSW |
Output Level |
Connector |
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Nominal |
Max. before clip |
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Stereo A,B (L,R) |
150ohms |
600ohm Lines |
+24dB, +18dB |
+4dBu, -2dBu |
+24dB, +18dB |
XLR-3-32 Type |
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Monitor Out (L,R,C) |
150ohms |
600ohm Lines |
+24dB, +18dB |
+4dBu, -2dBu |
+24dB, +18dB |
XLR-3-32 Type |
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Cue Out (L,R) |
150ohms |
600ohm Lines |
+24dB, +18dB |
+4dBu, -2dBu |
+24dB, +18dB |
XLR-3-32 Type |
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Matrix Out 1-8 |
150ohms |
600ohm Lines |
+24dB, +18dB |
+4dBu, -2dBu |
+24dB, +18dB |
XLR-3-32 Type |
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Mix Out 1-24 |
150ohms |
600ohm Lines |
+24dB, +18dB |
+4dBu, -2dBu |
+24dB, +18dB |
XLR-3-32 Type |
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Insert Out 1-48 |
150ohms |
10ohm Lines |
- |
+4dBu |
+24dB |
TRS Phone Jack |
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Phones |
15ohms |
8ohm Phones |
- |
75mW |
150mW |
ST Phone Jack |
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40ohm Phones |
- |
65mW |
150mW |
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Digital input characteristics (PM5D,
PM5D-RH) |
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Terminal |
Format |
Data Length |
Level |
Connector |
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2TR IN Digital with SRC |
1 |
AES/EBU |
AES/EBU (Professional Use) |
24bit |
RS422 |
XLR3-31 Type |
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2 |
AES/EBU |
AES/EBU (Professional Use) |
24bit |
RS422 |
XLR3-31 Type |
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3 |
Coaxial |
IEC-60958 (Consumer Use) |
24bit |
0.5Vpp/75ohms |
RCA Pin Jack |
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Cascade IN |
- |
- |
RS422 |
D-sub Half Piitch Connector 68pin
(female) |
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Digital output characteristics (PM5D,
PM5D-RH) |
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Terminal |
Format |
Data Length |
Level |
Connector |
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2TR OUT Digital |
1 |
AES/EBU |
AES/EBU (Professional Use) |
24bit |
RS422 |
XLR3-31 Type |
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2 |
AES/EBU |
AES/EBU (Professional Use) |
24bit |
RS422 |
XLR3-31 Type |
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3 |
Coaxial |
IEC-60958 (Consumer Use) |
24bit |
0.5Vpp/75ohms |
RCA Pin Jack |
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Cascade IN |
- |
- |
RS422 |
D-sub Half Piitch Connector 68pin
(female) |
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Digital output characteristics (PM5D,
PM5D-RH) |
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Terminal |
Format |
Level |
Connector |
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To Host |
USB |
USB1.1 |
0V-3.3V |
B Type USB Connector |
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In |
Midi |
- |
DIN-5pin |
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Out |
Midi |
- |
DIN-5pin |
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Thru |
Midi |
- |
DIN-5pin |
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Time Code In |
SMPTE |
SPMTE |
0.3Vpp(min.)/10Vpp (max.), 10kohms |
XLR-3-31 Type |
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Word Clock |
In |
- |
TTL/75ohms (on/off) |
BNC |
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Out |
- |
TTL/75ohms |
BNC |
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GPI |
- |
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D-sub 25pin (female) |
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HA Remote |
- |
RS422 |
D-sub 9pin (male) |
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RS422 Remote |
- |
RS422 |
D-sub 9pin (female) |
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Keyboard |
PS/2 |
- |
DIN 6pin |
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Mouse |
PS/2 |
- |
DIN 6pin |
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Lamp |
- |
2.5V-11.5V |
XLR-4-31 Type |
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Memory Card |
- |
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PCMCIA (CF) |
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