|
MIXERS |
|
Digital Mixers |
|
PM1DV2 |
|
PM5D, PM5D-RH
|
|
M7CL-48, M7CL-32 |
|
LS9-32,
LS9-16 |
|
DVM2000VCM |
|
DVM1000V2 |
|
02R96V2 |
|
01V96V2 |
|
Analog Mixers |
|
MG102C |
|
PM5000 |
|
MG32/14FX,
MG24/14FX |
|
MG16/6FX, MG16/4,
MG12/4FX, MG12/4 |
|
MG10/2, MG8/2FX |
|
Powered Mixers |
|
EMX5016CF |
|
EMX5014C |
|
EMX512SC, EMX312SC,
EMX212S |
|
|
|
ADD-ON
EFFECTS |
|
|
|
PROCESSORS |
|
|
|
POWER AMPS |
|
|
|
SPEAKERS |
|
|
|
INTERFACES |
|
|
|
PA
Systems |
|
|
|
|
Yamaha Digital Mixer - 01V96V2 |
|
|
Model:
01V96V2
Yamaha Digital Mixer
An update of the
best-selling 01V
with 96-kHz quality
and powerful
production features.
Version 2 (free)
delivers even
greater performance
and usability plus
Add-on Effects
compatibility |
Features
Applications
Specifications |
|
Cutting-edge
Performance, Capacity, Control & Compatibility
Yamaha's flagship digital mixing consoles are the accepted standards
throughout the world: the awesome PM1D and PM5D for sound
reinforcement, broadcast, and theater; the DM2000, DM1000, and 02R96
for sound and music production. The 01V96 brings you the same
performance and reliability in a smaller, more affordable format
that's perfect for the home or smaller professional production
studio. Still, it has a maximum 40-channel input capacity and can be
cascaded for applications that require more. And, of course,
24-bit/96-kHz operation is standard. Mixer functions and effects are
all inherited from the top-of-the-line DM2000, so you know you're
getting the best. Prepare to be amazed at how far Yamaha digital
evolution has come. Now the 01V96 has been upgraded to Version 2,
which features a number of improvements and enhancements in both
functions and operation. If you thought that cutting-edge digital
mixing and processing performance is still beyond reach, here is a
very good reason to smile
 |
|
Features |
- Precise 24-bit/96-kHz Audio
and High-performance Head Amps
- 40-input 20-bus Mix Capacity
at 96 kHz
- Versatile Connectivity and
Expandability for a Wide Range of Applications
- Powerful Channel Functions
with Flexible Control and Patching
- Four Advanced Multi-effect
Processors at 44.1/48 kHz, or Two at 88.2/96 kHz
- 01V96 Editor Software
Supplied
- Free Version 2 Download
Enhances 01V96 Functionality
- Seamless Add-on Effects
Support
- A Major Studio Manager
Evolution
|
Advanced Features:
- Comprehensive Interface with
Large LCD, 100-mm Motor Faders, and Dedicated Scene Memory Keys
- Versatile Pairing and
Grouping Functions Enhance Mixing Efficiency
- I/O Expansion Slot for Easy
Expansion in a Variety of Formats
- Sophisticated DAW or Digital
Recorder Integration
- 01V96 Cascade Link and Other
Advanced Capabilities
|
|
Applications |
- Computer Based 96kHz
Recording
|
|
|
|
|
|
General
Specifications |
|
Internal processing: |
32bit (Accumulator 58bit) |
|
Number of scene memories: |
99 |
|
Sampling frequency: |
Internal: 44.1kHz, 48kHz, 88.2kHz,
96kHz
External:
Normal rate: 44.1kHz-10% - 48kHz+6%
Double rate: 88.2kHz-10% - 96kHz+6% |
|
Signal delay |
Less than 1.6ms CH INPUT to STEREO
OUT
(@Sampling frequency = 48kHz)
Less than 0.8ms CH INPUT to STEREO OUT
(@Sampling frequency = 96kHz) |
|
Fader resolution: |
100mm motorized x17 |
Total harmonic distortion*
Input Gain=Min.: |
CH INPUT to STEREO OUT
Less than 0.05%, 20Hz to 20kHz @+14dB into 600ohms
Less than 0.01%, 1kHz @+24dB into 600ohms
(@Sampling frequency = 48kHz)
Less than 0.05%, 20Hz to 40kHz @+14dB into 600ohms
Less than 0.01%, 1kHz @+24dB into 600ohms
(@Sampling frequency = 96kHz) |
|
Frequency response: |
CH INPUT to STEREO OUT
0.5, -1.5dB, 20Hz - 20kHz @+4dB into 600ohms
(@Sampling frequency = 48kHz)
0.5, -1.5dB, 20Hz - 40kHz @+4dB into 600ohms
(@Sampling frequency = 96kHz) |
Dynamic range
(maximum level to noise level): |
110dB typ. DA Converter (STEREO OUT)
106dB typ. AD+DA (to STEREO OUT) @fs=48kHz
106dB typ. AD+DA (to STEREO OUT) @fs=96kHz |
Hum & noise level **
(20Hz to 20kHz) Rs=150ohms Input Gain=Max Input Pad=0dB Input
Sensitivity=-60dB: |
-128dB Equivalent Input Noise.
-86dB residual output noise. STEREO OUT
STEREO OUT off.
-86dB (90dB S/N)STEREO OUT
STEREO fader at nominal level and all CH INPUT faders at minimum
level.
-64dB (68dB S/N) STEREO OUT
STEREO fader at nominal level andone CH INPUT fader at nominal level |
|
Maximum voltage gain: |
74dB CH INPUT (CH1-12) to STEREO
OUT/OMNI (BUS) OUT
40dB CH INPUT (CH13-16) to STEREO OUT
74dB CH INPUT (CH1-12) to OMNI (AUX) OUT (via pre input fader)
74dB CH INPUT (CH1-12) to MONITOR OUT (via STEREO BUS) |
Crosstalk(@1kHz)
Input Gain=Min: |
80dB adjacent input channels (CH1-12)
80dB adjacent input channels (CH13-16)
80dB input to output |
|
Power requirements: |
Japan: AC100V 50/60Hz, 90W
North America: AC120V, 60Hz, 90W
Other Areas: AC220-240V, 50/60Hz, 90W |
|
Dimensions, Weight: |
436 x 150 x 548 mm
15kg |
* Total Harmonic Distortion
are measured with a
6dB/octave filter @80kHz
** Hum&Noise are measured
with 6dB/octave filter
@12.7kHz;equivalent to a
20kHz filter with infinite
dB/octave attenuation.
|
|
|
|
Analog Input Characteristics |
|
Input Terminal |
PAD |
Gain |
Input Level |
Actual Load Impedance |
For use with nominal |
Connector |
|
Sensitivity |
Nominal |
Max. before clip |
|
CH Input 1 to 12 |
0 |
-60dB |
-70dB |
-60dB |
-40dB |
3kohms |
50-600ohm Mics & 600ohm Lines |
A:XLR3-31 type (Balanced)
B:TRS phone jack (Balanced) |
|
-16dB |
-26dB |
-16dB |
+4dB |
|
26 |
-6dB |
+4dB |
+24dB |
CH Input
13 to 16 |
-26dB |
-36dB |
-26dB |
-6dB |
10kohms |
600ohm Lines |
TRS phone jack (Balanced) |
|
+4dB |
-6dBV |
+4dB |
+24dB |
|
CH Insert IN 1-12 |
-6dB |
+4dB |
+24dB |
10kohms |
600ohm Lines |
TRS phone jack (Unbalanced) |
|
2TR In (L,R) |
-10dB |
-10dB |
+10dB |
10kohms |
600ohm Lines |
RCA pin jack (Unbalanced) |
|
|
|
Analog Output Characteristics |
|
Output Terminal |
Actual Source Impedance |
For use with nominal |
Output Level |
Connector |
|
Nominal |
Max. before clip |
|
Stereo Out (L,R) |
150ohms |
600kohm Lines |
+4dB |
+24dB |
XLR3-32 type
(Balanced) |
|
Omni Out 1-4 |
150ohms |
10kohm Lines |
+4dB |
+24dB |
TRS phone jack (Balanced) |
|
Monitor Out (L,R) |
150ohms |
10kohm Lines |
+4dB |
+24dB |
TRS phone jack (Balanced) |
|
CH Insert Out 1-12 |
600ohms |
10kohm Lines |
+4dB |
+24dB |
TRS phone jack (Unbalanced) |
|
2TR Out (L,R) |
10kohms |
600kohm Lines |
-10dBV |
+10dBV |
RCA Pin jack (Unbalanced) |
|
Phones |
100ohms |
8ohm Lines |
4mW |
25mW |
ST phone jack (Unbalanced) |
|
40ohm Lines |
12mW |
75mW |
|
|
|
Digital Input Characteristics |
|
|
Terminal |
Format |
Data Length |
Level |
Connector |
|
2TR In Digital |
IEC-60958 |
24bit |
0.5Vpp/75ohms |
RCA Pin Jack |
|
ADAT In |
ADAT*1 |
24bit |
- |
Optical |
|
|
|
Digital Output Characteristics |
|
|
Terminal |
Format |
Data Length |
Level |
Connector |
|
2TR Out Digital |
IEC-60958 (Consumer use) |
24bit |
0.5Vpp/75ohms |
RCA Pin Jack |
|
ADAT Out |
ADAT |
24bit |
- |
Optical |
|
|
|
Control I/O Characteristics |
|
|
Terminal |
Format |
Level |
Connector |
|
To Host USB |
USB |
0V - 3.3V |
B type USB connector |
|
MIDI |
In*1 |
Midi |
- |
DIN Connector 5P |
|
Out |
Midi |
- |
DIN Connector 5P |
|
Thru |
Midi |
- |
DIN Connector 5P |
|
Word Clock |
In |
- |
TTL/75ohms |
BNC Connector |
|
Out |
- |
TTL/75ohms |
BNC Connector |
|
*1. MIDI IN can use
as TIME CODE IN MTC |
|
|
|
