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MIXERS |
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Digital Mixers |
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PM1DV2 |
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PM5D, PM5D-RH
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M7CL-48, M7CL-32 |
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LS9-32,
LS9-16 |
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DVM2000VCM |
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DVM1000V2 |
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02R96V2 |
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01V96V2 |
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Analog Mixers |
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MG102C |
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PM5000 |
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MG32/14FX,
MG24/14FX |
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MG16/6FX, MG16/4,
MG12/4FX, MG12/4 |
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MG10/2, MG8/2FX |
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Powered Mixers |
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EMX5016CF |
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EMX5014C |
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EMX512SC, EMX312SC,
EMX212S |
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ADD-ON
EFFECTS |
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PROCESSORS |
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POWER AMPS |
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SPEAKERS |
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INTERFACES |
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PA
Systems |
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Yamaha Digital Mixer -
DVM1000V2 |
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Model: DVM1000V2
Yamaha Digital Mixer
Mixing performance
and features
directly inherited
from the DM2000 and
02R96 in a
rack-mount size
console. Version 2
offers ESAM II
support, Add-on
Effects
compatibility, and
numerous other
upgrades |
Features
Applications
Specifications
Optional Accessories:
Add-on Effects :
Channel Strip, Master Strip, Reverb, Surround Post, Vintage Stomp |
|
19-inch Digital
Production Console for Professionals in the Studio or On the Road
When the acclaimed Yamaha DM2000 console appeared on the production
scene, it proved that true 24-bit/96 kHz performance, DAW
integration, and surround production facilities were what the
industry had been waiting for. With the introduction of the 02R96
the same benefits became available to a broader range of engineers
and facilities, including project studios for music production. Now
the Yamaha DM1000, like the DM2000, is designed especially for
commercial post-production, audio for video, and broadcast
applications. But extraordinary versatility and configurability mean
that the DM1000 is also ideal for a wide range of sound
reinforcement applications.
The DM1000 Digital Production Console distills the essence of the
DM2000 into a remarkably compact console that delivers the same
level of performance and key features. And with the supplied Studio
Manager Application software, all mix data is interchangeable
between the DM2000, DM1000 and 02R96. These consoles can be linked
and cascaded interactively within a multi-room studio, or a tour
engineer can do a basic console setup on his laptop computer
anywhere, and then simply load the settings into the console at the
venue.
Like its predecessor, the DM1000 delivers mixing power and
performance that's way ahead of anything else on the market, and it
even incorporates newly introduced software features such as 6.1
Surround, User Assignable Layer, and Global Recall Safe. Never has
so much mixing power and versatility been available in a compact,
rack-mountable console.
With the introduction of Version 2, the DM1000 evolves to an even
higher level of refinement
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Features |
- Precise 24-bit/96-kHz Audio
and High-performance Head Amps
- Precise 24-bit/96-kHz Audio
and High-performance Head Amps
- Powerful Channel Functions
with Flexible Control and Patching
- Versatile Connectivity for a
Wide Range of Applications
- Two I/O Expansion Slots for
Easy Expansion in a Variety of Formats
- Four Advanced Multi-effect
Processors Include Surround Effects
- Sophisticated DAW or Digital
Recorder Integration
- An Ideal Platform for
Surround Production
- Enhanced Surround Monitoring
Environment Includes Bass Management
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- A Powerful Performer in Live
Sound Settings
- Functions and Performance
Fine-tuned for Professional Use
- Seamless Add-on Effects
Support
- ESAMII Video Editor Support
- A Major Studio Manager
Evolution
Advanced Features:
- Comprehensive Interface with
Touch-sensitive 100-mm Motor Faders
- Scene Memory and Automix
Functions for Efficient Workflow
- Versatile Pairing and
Grouping Functions Enhance Mixing Efficiency
- DM1000 Editor Software
Supplied
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Applications |
- Computer Based 96kHz
Recording
- Connection with 96kHz
Recorders & Workstations
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- DVD Authoring (6.1 Surround
Monitoring)
- Sound Reinforcement (48
Remote Mic/Instrument Input System)
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General
Specifications |
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Internal processing: |
32bit (Accumulator=58bit) |
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Sampling frequency: |
Internal: 44.1kHz, 48kHz, 88.2kHz,
96kHz
External: Normal rate -44.1kHz(-10%) - 48kHz(+6%)
Double rate- 88.2kHz(-10%) - 96kHz(+6%) |
Total harmonic distortion*
Input Gain=Min.: |
CH INPUT to OMNI OUT
Less than 0.05%, 20Hz to 20kHz @+4dB into 600Ω
Less than 0.01%, 1kHz @+18dB into 600Ω
(@Sampling frequency=44.1/48kHz)
Less than 0.05%, 20Hz to 40kHz @+14dB into 600Ω
Less than 0.01%, 1kHz @+18dB into 600Ω
(@Sampling frequency=88.2/96kHz) |
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Frequency response: |
CH INPUT to OMNI OUT
0.5, -1.5dB 20Hz - 20kHz @+4dB into 600Ω
(@Sampling frequency=44.1/48kHz)
0.5, -1.5dB 20Hz - 40kHz @+4dB into 600Ω
(@Sampling frequency=88.2/96kHz) |
Dynamic range
(maximum level to noise level): |
110dB typ, DA Converter (OMNI OUT)
106dB typ, AD+DA (to OMNI OUT) |
Hum & noise level **
(20Hz to 20kHz) Rs=150ohms Input Gain=Max Input Pad=0dB Input
Sensitivity=-60dB: |
-128dB Equivalent Input Noise
-86dB residual output noise, OMNI OUT STEREO OUT off
-86dB(90dB S/N), OMNI OUT STEREO fader at nominal level and all CH
INPUT faders
-64dB(68dB S/N), OMNI OUT Master fader at nominal level and one CH
INPUT fader |
Crosstalk(@1kHz)
Input Gain=Min: |
80dB adjacent input channels (CH1-16)
80dB input to output |
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Power requirements: |
Japan:: AC100V 50/60Hz, 135W
North America: AC120V, 60Hz, 135W
Other Areas: AC220-240V, 50/60Hz, 135W |
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Dimensions, Weight: |
DM1000: 436 x 200 x 585 mm (17.1" x
7.8" x 23.0")
With MB and SP: 486 x 295 x 635 mm (19.1" x 11.6" x 25.0")
20.0kg (75lbs) |
* Total Harmonic Distortion
are measured with a
6dB/octave filter @80kHz
** Hum&Noise are measured
with 6dB/octave filter
@12.7kHz;equivalent to a
20kHz filter with infinite
dB/octave attenuation.
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Analog Input Characteristics |
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Input Terminal |
PAD |
Gain |
Input Level |
Actual Load Impedance |
For use with nominal |
Connector |
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Sensitivity |
Nominal |
Max. before clip |
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CH Input 1-16 |
0 |
-60dB |
-70dB |
-60dB |
-40dB |
3kohms |
50-600ohm Mics & 600ohm Lines |
XLR3-31 Type (Balanced) |
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-16dB |
-26dB |
-16dB |
+4dB |
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26 |
-6dB |
+4dB |
+24dB |
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Omni In 1-24 |
+4dB |
+4dB |
+24dB |
10ohms |
600ohm Lines |
XLR3-31 Type (Balanced) |
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Analog Output Characteristics |
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Output Terminal |
Actual Source Impedance |
For use with nominal |
GAIN SW |
Output Level |
Connector |
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Nominal |
Max. before clip |
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Omni Out 1-12 |
150ohms |
600kohm Lines |
- |
+4dB |
+24dB |
XLR3-32 Type (Balanced) |
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Phones |
100ohms |
8ohm Lines |
- |
4mW |
25mW |
ST Phone Jack (Unbalanced) |
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40ohm Lines |
- |
12mW |
75mW |
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Digital Input Characteristics |
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Terminal |
Format |
Data Length |
Level |
Connector |
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2TR In Digital |
1 |
AES/EBU |
24bit |
RS422 |
XLR3-31 Type (Balanced) |
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2 |
IEC-60958 |
24bit |
0.5Vpp/75ohms |
RCA Pin Jack |
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Digital Output Characteristics |
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Terminal |
Format |
Data Length |
Level |
Connector |
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2TR Out Digital |
1 |
AES/EBU (Professional use) |
24bit |
RS422 |
XLR3-32 Type (Balanced) |
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2 |
IEC-60958 (Consumer use) |
24bit |
0.5Vpp/75ohms |
RCA Pin Jack |
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