• Neutrality
• Versatility
• Precision
• Recording standard
Full-bodied sound from a small-bodied mic
Wherever a small, lightweight, inconspicuous microphone for
top-quality recording is required, the compact design and clean,
transparent sound of our versatile 4006C makes it the perfect
choice. They are particularly popular as A-B stereo pairs in
concert halls where quality recordings can sometimes be compromised
by classic architecture.
The 4006C can be mounted, hung or concealed to create clean,
transparent recordings. It is ideal in theatres, opera and concert
halls or places of worship where there is a live audience, and for
film applications, both in the studio and on location. These mics
are also popular with musicians for close-miking instruments such
as double bass, trumpet and piano. At the same time they are
wonderful for ambience miking on soundstages, in sports stadiums
and other environments where audience sound needs to be
recorded.
Several tools in one
A selection of acoustic modification accessories, including nose
cone and interchangeable protection grids, allows the 4006C to be
acoustically transformed into different microphone versions, making
it the most multifaceted mic in your collection and a tremendous
value. By simply changing a grid, it is possible to gain several
unique frequency responses and directional characteristics from a
single mic. Furthermore, these grids and elements will not produce
any phase shift, noise or distortion that would otherwise be
introduced by an electrical filter.
Also available as matched stereo pair
The ST4006C stereo pair is supplied in a specially designed PeliTM
Case, the stereo matching is free of charge.
|
| Directional pattern: |
Omnidirectional |
| Principle of operation: |
Pressure |
| Cartridge Type: |
Pre-polarized
condenser |
| Frequency range: |
10 Hz to 20
kHz |
| Frequency range, ± 2 dB: |
20 Hz to 20
kHz |
| Sensitivity, nominal, ± 2 dB at 1 kHz: |
40 mV/Pa; -28 dB re. 1
V/Pa |
| Equivalent noise level, A-weighted: |
Typ. 15 dB(A) re. 20
µPa (max. 17 dB(A)) |
| Equivalent noise level, ITU-R BS.468-4: |
Typ. 27 dB (max. 29
dB) |
| S/N
ratio (A-weighted), re. 1 kHz at 1 Pa (94 dB SPL): |
Typ. 79
dB(A) |
| Total Harmonic Distortion (THD) at 1 kHz: |
< 1 % up to 134 dB SPL
peak |
| Minimum load impedance: |
2 kohm |
| Dynamic range: |
Typ. 119
dB |
| Max. SPL, peak before clipping: |
140 dB |
| Output impedance: |
<200
ohm |
| Cable drive capability: |
100 m (328
ft) |
| Output balance principle: |
Impedance balancing with
Active Drive |
| Common Mode Rejection Ratio (CMRR): |
> 50
dB |
| Power supply (for full specifications): |
48 V Phantom power (± 4
V) |
| Current consumption: |
2.8 mA |
| Color: |
Matte
black |
| Weight: |
63 g (2.2
oz) |
| Diameter: |
16 to 19 mm (0.63 to 0.75
in) |
| Capsule diameter: |
16 mm (0.63
in) |
| Output voltage, RMS: |
> 4 V |
| Microphone Length: |
64 mm (2.5
in) |
| Polarity: |
+V at Pin 2 for positive
sound pressure |
| Connector: |
XLR-3M. Pin 1: shield, Pin
2: signal + phase, Pin 3: - phase |
|
Relative Humidity (RH): |
Up to 90% |
| Temperature range: |
-40 °C to 45 °C
(-40 °F to 113 °F) |
|
Matching tolerance: |
± 0.5
dB |
| Phase deviation for kit: |
<
5° |
|
|
|
